Medical Magistrates and the Conscientious Objector

BMJ ◽  
1898 ◽  
Vol 2 (1974) ◽  
pp. 1371-1371
Author(s):  
F. P. Weaver
1943 ◽  
Vol 53 (1) ◽  
pp. 198
Author(s):  
Arthur Garfield Hays ◽  
Julien Cornell

2017 ◽  
Vol 26 (2) ◽  
pp. 195-212
Author(s):  
Guy Woodward

In October 1914, the English writer and publisher Douglas Goldring was invalided out of the British Army. By 1916, he had become a conscientious objector and moved to Ireland, where he lived for the next two years, witnessing the aftermath of the Easter Rising. Illuminating connections between the pacifist movement in Britain and Irish Republicanism, his writings of this period – including two Irish travelogues and a propagandist semi-autobiographical bildungsroman, The Fortune (1917) – disclose transnational and transcultural networks of resistance and dissidence, and show how the Rising and its aftermath helped to radicalise pacifist writers in London.


BMJ ◽  
2003 ◽  
Vol 326 (7388) ◽  
pp. 557-557
Author(s):  
P. Bruggen

Rough Draft ◽  
2019 ◽  
pp. 128-156
Author(s):  
Amy J. Rutenberg

Chapter six argues that in working to avoid the draft, men during the Vietnam War did not behave terribly differently from men during World War II or the Korean War. Rather, it was the context of their actions that changed. This chapter affirms that the historical conditions of the Vietnam War, particularly the advent of draft counseling, made it easier for men to engage in draft avoidance behavior. But it also argues that the military manpower policies of the previous decades influenced their choices. Because policies and practices privileged men with the resources to attend college, gain admittance to the National Guard or Reserves, find sympathetic doctors, or write reasoned belief statements in conscientious objector applications, white, middle-class men were the most successful at avoiding the draft. For them, military service was a decision more than a fait accompli. Working-class and minority men had fewer tools for draft avoidance.


2021 ◽  
pp. 253-308
Author(s):  
B. V. Olguín

Chapter 5 focuses on how the War on Terror’s permutations of Latina/o war literature, theater, television, film, and popular music present methodological and political challenges to conventional understandings of Latina/o relationships to power as inherently oppositional to capitalism and US imperialism. These relatively new genres include Latina/o War on Terror combat action memoir and related oral histories; wounded warrior narratives; protofascist Special Forces Über-warrior memoir and biographical profiles; Conscientious Objector testimonio, ideologically ambivalent wartime theater, and pacifist performance art; military command memoirs by junior and senior officers; as well as Latina/o spy memoir, biography, and historical fiction. Despite the authors’ profound differences in cultural heritage, experiences, and aesthetic capacities, their cultural productions cohere around intersecting, and diverging, violence-based theories of knowledge and being that extend through, but also far beyond warfare and wartime contexts. They also demonstrate the stark right-wing turn in a large segment of contemporary Latina/o life writing, which accentuates the wide range of ideological trajectories identified in earlier chapters.


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