Chapter 5 focuses on how the War on Terror’s permutations of Latina/o war literature, theater, television, film, and popular music present methodological and political challenges to conventional understandings of Latina/o relationships to power as inherently oppositional to capitalism and US imperialism. These relatively new genres include Latina/o War on Terror combat action memoir and related oral histories; wounded warrior narratives; protofascist Special Forces Über-warrior memoir and biographical profiles; Conscientious Objector testimonio, ideologically ambivalent wartime theater, and pacifist performance art; military command memoirs by junior and senior officers; as well as Latina/o spy memoir, biography, and historical fiction. Despite the authors’ profound differences in cultural heritage, experiences, and aesthetic capacities, their cultural productions cohere around intersecting, and diverging, violence-based theories of knowledge and being that extend through, but also far beyond warfare and wartime contexts. They also demonstrate the stark right-wing turn in a large segment of contemporary Latina/o life writing, which accentuates the wide range of ideological trajectories identified in earlier chapters.