Greek Landscape — A Visual Diary

Author(s):  
Joachim Frank
Keyword(s):  
2008 ◽  
Vol 14 (6) ◽  
pp. 341-349 ◽  
Author(s):  
Hyowon Lee ◽  
Alan F. Smeaton ◽  
Noel E. O’Connor ◽  
Gareth Jones ◽  
Michael Blighe ◽  
...  
Keyword(s):  

2020 ◽  
Vol 6 (2) ◽  
pp. 231-258
Author(s):  
Rosalía Baena

Abstract In the midst of the age of memoir, where the demarcation between public discourse and private lives has been eroded, a number of life-writing genres figure prominently as identity narratives. Specifically, illness narratives proliferate in both digital and non-digital forms, thus becoming powerful social and cultural forms to understand illness today. This article aims to analyze how online forms are bringing relevant changes both to the genre and to the actual communication of cancer experience. Nancy K. Miller and Susan Gubar choose different forms (visual diary and blog, respectively) to help readers “acknowledge the place of cancer in the world”. Having lived in cancerland for a while, both reject widespread stereotypes about illness, such as being a cancer survivor, the role of the good patient or the need to reject negative emotions such as anger, fear or sadness. Specifically, I will use the concept of automediality in order to explore how subjectivity is constructed in their use of images and new media. This concept may help us further explore the ways in which online forms offer new ways of self-representation and mediation between technology and subjectivities.


Land ◽  
2018 ◽  
Vol 7 (3) ◽  
pp. 89 ◽  
Author(s):  
Christy Constantakopoulou

This paper explores the place of ancient Greek hunting within the Greek landscape and environment, with particular reference to the eschatia, the marginal, uncultivated (or marginally cultivated) land. It is part of a bigger project on the social history of hunting in archaic and classical Greece, where emphasis is placed on the economic and dietary contribution of hunting for Greek communities. Hunting has attracted scholarly attention, mostly as a result of the role that hunting narratives play in Greek mythology, and the importance of hunting scenes in Greek art. Rather than talking about the role of hunting in rites of passage, I would like to explore the relationships of different social classes to hunting (which is understood here to include all forms of capturing animals on land, including trapping and snaring). The ‘un-central’ landscape of the eschatia appears to be an important locus for hunting practices, and therefore, a productive landscape. Hunting in the eschatia was opportunistic, required minimum effort in terms of crossing distances, allowed access to game that could be profitable in the market, and made the transport of game easier to manage.


2019 ◽  
Vol 63 ◽  
pp. 08004
Author(s):  
Afroditi Maragkou

What remains unexamined and undervalued in the Greek landscape, are the extreme and abandoned limits of the small non-metropolitan regional areas. At the limits of Greek cities, we can identify a great dispersion, a marginal instability, states of transition and deposition. The architectural and planning policies of the Greek state, through the modernistic period, have set a significant number of traces on the rural part of the country. These traces on the countryside, can only be recorded and historically analysed through systematic approach and subjective mapping, such as the methodology of oral history promotes. The landscape of the lowlands of Thessaly is selected as a paradigm of a changing reality, where one can see and recognize a number of exemplary transformations and specificities. The resettlement phenomenon of the mountain populations in Karditsa region, which was affected by the reclamation infrastructure of the 1960s (construction of Megdova dam), is the springboard for a dispersion of new residential settlements in the lowlands. This relocation process had a significant impact on the transformation of the rural landscape of Thessaly, as well as on the social life of the countryside. The architectural and historical research is motivated from the current ruin condition of these promising residential settlements on the countryside of Thessaly and systematically examines the policies that lead from the construction of Megdova dam to these abandoned traces on the landscape. The methodology of this research is based on an ongoing microhistorical archive which aims to raise microhistory as the main interpretation tool. Composed by oral testimonies, historical sources, state documents, blueprints and other official recordings, this microhistorical archive will be able to map andinterpret the architectural, topological and social history of these modernistic interventions on the countryside of Thessaly.


2022 ◽  
pp. 442-460
Author(s):  
Amanda Vettini ◽  
Ruth Bartlett

The focus of this chapter is the use of video-diaries in social research. The aim is to examine and reflect upon the particular ethical terrain and situated ethics of using visual diary method in social science research with different participant groups who arguably present specific ethical concerns, including children and older people, people with disabilities (either physical, cognitive, or psychiatric), and older people. The authors present a discussion of the specific ethical considerations arising from the use of this method due to the particular type of data it generates, namely audio and moving visual data. As such, the process of creating a video diary and the procedures involved in collecting and analysing video diary data are fundamentally different from a paper-based (non-digital) diary. For these reasons, it is important to step back and reflect on the situated ethics, including the digital ethics encountered when using this method.


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