“Trascinando muli e sofferenze”: la Grecia lontana di Mario Rigoni Stern

This article aims to analyse the reasons for the unexpected absence of Greece in Mario Rigoni Stern’s works about the Italian military campaign against Greece during the winter of 1940-1941. As a young soldier, Rigoni Stern fought in that terrible war in the Albanian mountains, close to the Greek line, and recounted those events many years later. I focus in particular on Quota Albania (1971), in an attempt to show that the novel is not only a memoir, but rather a Bildungsroman, in which he recounts his personal life, his disillusionment with Italian disorganisation and the difficult conditions he endured, the cold and hunger. Furthermore, I would like to explain that the surprising indifference to Greek events is linked not only to the author’s narrative intention, but also to the fact that in the final battle Rigoni Stern did not go to Greece, and never returned thereafter. On the other hand, his unfamiliarity with the Mediterranean justifies the lack of descriptive details of the Greek landscape.

Che ci vado a fare in Grecia?

In this paper my aim is to show that the physical impact of today’s Greece is extremely important for the classicists: by experiencing the Greek landscape, climate, nature they are enabled to better understand the ancient texts and, in some case, to find new solutions for old problems. The discussion focuses in particular on the island of Syros (the homeland of Eumaeus) and on the canal of Xerxes in the Mount Athos peninsula.

Live Your Myth in Greece: Towards the Construction of a Heritage Identity

Nowadays, top-rated tourist attractions in Greece are ancient archaeological places and islands with blue-and-white esthetics. The country’s projected impression is greatly based on these two distinguished representations, chosen for their distinctive architecture scattered in the Greek landscape. Both imageries seem to be officially promoted in order to configure today’s national identity. The classical antiquities are related to the birthplace of European civilization, whereas the notion of the unspoilt archipelago with the whitewashed Cycladic houses works as a symbol of purity and eternity. The present article focuses on the analysis of these two Greek heritage scenarios and, subsequently, on their deconstruction. It aims to investigate the interaction between myth and reality and their role in forming the perception of contemporary Greece. The article argues that there is not a unique architectural history to come to light and, therefore, the highlighting of specific periods of it probably conceals intentions concerning patrimony management: selective excavation among the layers of history, historic preservation of selected buildings, and laws which impose the maintenance of certain findings or specific colors are some indicative signs. It also investigates the ways in which national heritage is directed and affected according to certain policies—local or foreign—that aim at a cultural investment in the world history.

Landscape Notions among Greek Engineering Students: Exploring Landscape Perceptions, Knowledge and Participation

The objective of this paper is to explore and critically analyze the basic notions of landscape and their change through time, among Greek engineering students, from all academically formative years of their undergraduate studies, at the Technical University of Crete. Specifically, it probes into their perspectives vis-à-vis the landscape at large and their everyday-life landscapes in particular, regarding their landscape perceptions, behavior, and education. This study takes place in two stages (2012 and 2017) and is placed in the context of continued scientific investigation into the interrelationships of various “publics” with various types of landscapes and landscape development ideas, perceptions, and preferences—and specifically those professionals-in-the-making who are bound to become key future agents in Greek landscape stewardship. Our aims serve the European Landscape Convention’s purposes of landscape research, education, and awareness-raising; they also cater to the need for geographically targeted place-specific application of the European Landscape Convention (ELC). Our findings reaffirm widely and long-held landscape notions, emphasizing the natural, the visual, and the aesthetic in landscape perception and conceptualization, but also point to landscape education deficiencies in the Greek educational system. These constitute significant findings in the context of the country’s efforts to lay out the blueprints for its future landscapes, by contributing to Greek lay landscape awareness and conscience building, but especially by informing future landscape-related professionals.

The Modern Gaze of Foreign Architects Travelling to Interwar Greece: Urban Planning, Archaeology, Aegean Culture, and Tourism

This paper reflects on the embrace of the Ancient world in modernity and the journey to Greece as a vehicle for their reciprocal reshaping. In the interwar period, new visual narratives emerged in Western accounts, proposing alternative contexts for Greek cultural heritage and associating regional culture with the emergence of modernism. The article investigates the mobility of modern travellers in Greece as an essential factor for the new contextualization of the country’s dominant cultural paradigm -Antiquity- as well as for the emergence of parallel narrations of the Mediterranean genius loci that examine the spatial imprint of heritage and tourism on the Greek urban, archaeological and natural environment. Western intellectuals, engineers, architects and urban planners, supported by a highly mobile network of editors, travel agencies, tourist cruises, architectural or archaeological conferences and congresses, contributed to the promotion of modern architecture and urban infrastructure in Greece. Their yet to become tourist gaze embraced the Aegean tradition, the Greek landscape and the ancient ruins as equal collocutors, initiating at the same time Greece itself into modernity. This paper traces the encounters between foreign travellers and the divergent manifestations of the country’s cultural identity in the pages of printed articles, books, travel accounts, photographic material and films. Following these documentations, the paper argues that tourism mobility gave rise to an alternative, southern modernism, whose emergence and development deviates significantly from mainstream narratives propounded by the continental historiography of modernity. Vice versa, the modern mobility networks of the South promoted the development of urban infrastructure and welfare facilities in Greece, as well as the establishment of early tourism policies, thus articulating the new national narrative of interwar Greece, based equally on classical heritage, regional culture and modern progress. The present paper is part of the research program Voyage to Greece: Mobility and modern architecture in the interwar period, where E. Athanassiou, V. Dima, V.; Karali, K. contribute as post-doctoral researchers, with P. Tournikiotis, Professor NTUA as scientific supervisor. The research is co-financed by the Greek State and the European Union.

Rurality, ruins and archives: mapping the architectural history of the Greek countryside.

What remains unexamined and undervalued in the Greek landscape, are the extreme and abandoned limits of the small non-metropolitan regional areas. At the limits of Greek cities, we can identify a great dispersion, a marginal instability, states of transition and deposition. The architectural and planning policies of the Greek state, through the modernistic period, have set a significant number of traces on the rural part of the country. These traces on the countryside, can only be recorded and historically analysed through systematic approach and subjective mapping, such as the methodology of oral history promotes. The landscape of the lowlands of Thessaly is selected as a paradigm of a changing reality, where one can see and recognize a number of exemplary transformations and specificities. The resettlement phenomenon of the mountain populations in Karditsa region, which was affected by the reclamation infrastructure of the 1960s (construction of Megdova dam), is the springboard for a dispersion of new residential settlements in the lowlands. This relocation process had a significant impact on the transformation of the rural landscape of Thessaly, as well as on the social life of the countryside. The architectural and historical research is motivated from the current ruin condition of these promising residential settlements on the countryside of Thessaly and systematically examines the policies that lead from the construction of Megdova dam to these abandoned traces on the landscape. The methodology of this research is based on an ongoing microhistorical archive which aims to raise microhistory as the main interpretation tool. Composed by oral testimonies, historical sources, state documents, blueprints and other official recordings, this microhistorical archive will be able to map andinterpret the architectural, topological and social history of these modernistic interventions on the countryside of Thessaly.

Landscape and Hunting. The Economy of the Eschatia

This paper explores the place of ancient Greek hunting within the Greek landscape and environment, with particular reference to the eschatia, the marginal, uncultivated (or marginally cultivated) land. It is part of a bigger project on the social history of hunting in archaic and classical Greece, where emphasis is placed on the economic and dietary contribution of hunting for Greek communities. Hunting has attracted scholarly attention, mostly as a result of the role that hunting narratives play in Greek mythology, and the importance of hunting scenes in Greek art. Rather than talking about the role of hunting in rites of passage, I would like to explore the relationships of different social classes to hunting (which is understood here to include all forms of capturing animals on land, including trapping and snaring). The ‘un-central’ landscape of the eschatia appears to be an important locus for hunting practices, and therefore, a productive landscape. Hunting in the eschatia was opportunistic, required minimum effort in terms of crossing distances, allowed access to game that could be profitable in the market, and made the transport of game easier to manage.

Orlando, Greece and the Impossible Landscape

Tracing the trope of landscape as it appears in Orlando’s experience on Mount Athos – a monastic site upon which women were historically forbidden to trespass – Vassiliki Kolocotroni explores the poet Orlando’s allegorical and pastoral scene-making impulses. Grounded in the thought of classical scholar Jane Ellen Harrison, Orlando’s vision of the Greek landscape enacts a feminist transgression, Kolocotroni argues, at the same time as it problematically appropriates this space and the classical past. This chapter thereby highlights Orlando’s ambivalence as ‘emblem of an impossibility, a female creature on a sacred, forbidding all-male space’.