The Design of Fine-grained Network QoS Controller and Performance Research with Network Calculus

Author(s):  
Hu Jia ◽  
Zhou Jinhe
1994 ◽  
Author(s):  
Bruce Bradtmiller ◽  
Sherri Upchurch-Blackwell ◽  
Henry W. Case ◽  
Thomas D. Churchhill ◽  
Daniel N. Mountjoy

2021 ◽  
Vol 825 ◽  
pp. 141918
Author(s):  
Ziwei Zhang ◽  
Siqi Zhao ◽  
Yongqi Lv ◽  
Hongbo Zhang ◽  
Zhenwei Wang ◽  
...  

2015 ◽  
Vol 24 (03) ◽  
pp. 1541001 ◽  
Author(s):  
Johannes Wettinger ◽  
Uwe Breitenbücher ◽  
Frank Leymann

Leading paradigms to develop, deploy, and operate applications such as continuous delivery, configuration management, and the merge of development and operations (DevOps) are the foundation for various techniques and tools to implement automated deployment. To make such applications available for users and customers, these approaches are typically used in conjunction with Cloud computing to automatically provision and manage underlying resources such as storage and virtual servers. A major class of these automation approaches follow the idea of converging toward a desired state of a resource (e.g. a middleware component deployed on a virtual machine). This is achieved by repeatedly executing idempotent scripts to reach the desired state. Because of major drawbacks of this approach, we discuss an alternative deployment automation approach based on compensation and fine-grained snapshots using container virtualization. We perform an evaluation comparing both approaches in terms of difficulties at design time and performance at runtime. Moreover, we discuss concepts, strategies, and implementations to effectively combine different deployment automation approaches.


1999 ◽  
Vol 15 (2) ◽  
pp. 109-122
Author(s):  
Alison M. Phipps

In the south-west German village of Hayingen, the playwright-director Martin Schleker presents large open-air productions of politically sensitive yet entertaining plays to mass audiences on an annual basis. This article explores the element of risk in Schleker's work: his use of purely amateur performers; his job-creation schemes for young people; and his left-wing and often anti-Catholic stance on issues such as racism and nuclear arms before often deeply conservative, culturally Catholic audiences. Schleker's work is situated in the wider context of the state-funded, civic theatres in Germany, and of the tradition of open-air ‘Naturtheater’ which is particularly strong in the Swabian region. Some assumptions surrounding such binary divides as amateur-professional and high art-entertainment are also explored. Data for this article was collected in the Hayingen ‘Naturtheater’ during a period of ethnographic research supported by the Leverhulme Trust. Having completed her doctorate at Sheffield University, Alison Phipps has been working as a lecturer in the Department of German – and in particular in the Centre for Intercultural Germanistics – at Glasgow University since October 1995. She has published in the areas of her research interests, which include contemporary German theatre and performance research, Ethnographic approaches to language education, and popular German culture and intercultural studies.


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