A New Structurally Dissolvable Self-Reproducing Loop Evolving in a Simple Cellular Automata Space

1999 ◽  
Vol 5 (4) ◽  
pp. 343-365 ◽  
Author(s):  
Hiroki Sayama

We constructed a simple evolutionary system, “evoloop,” on a deterministic nine-state five-neighbor cellular automata (CA) space by improving the structurally dissolvable self-reproducing loop we had previously contrived [14] after Langton's self-reproducing loop [7]. The principal role of this improvement is to enhance the adaptability (a degree of the variety of situations in which structures in the CA space can operate regularly) of the self-reproductive mechanism of loops. The experiment with evoloop met with the intriguing result that, though no mechanism was explicitly provided to promote evolution, the loops varied through direct interaction of their phenotypes, smaller individuals were naturally selected thanks to their quicker self-reproductive ability, and the whole population gradually evolved toward the smallest ones. This result gives a unique example of evolution of self-replicators where genotypical variation is caused by precedent phenotypical variation. Such interrelation of genotype and phenotype would be one of the important factors driving the evolutionary process of primitive life forms that might have actually occurred in ancient times.

2004 ◽  
Vol 10 (1) ◽  
pp. 83-98 ◽  
Author(s):  
Hiroki Sayama

The concept of self-protection, a capability of an organism to protect itself from exogenous attacks, is introduced into the design of artificial evolutionary systems as a possible method to create and maintain diversity in the population. Three different mechanisms of self-protection are considered and implemented on a cellular-automaton-based evolutionary system, the evoloop. Simulation results imply a positive effect of those mechanisms on diversity maintenance, especially when the self-protection is moderate so that it conserves both the attacker and the attacked. This letter briefly reports the models and the simulation results obtained using those models.


Author(s):  
Charles Darwin

‘Can we doubt … that individuals having any advantage, however slight, over others, would have the best chance of surviving and of procreating their kind?’ In the Origin of Species (1859) Darwin challenged many of the most deeply held beliefs of the Western world. His insistence on the immense length of the past and on the abundance of life-forms, present and extinct, dislodged man from his central position in creation and called into question the role of the Creator. He showed that new species are achieved by natural selection, and that absence of plan is an inherent part of the evolutionary process. Darwin's prodigious reading, experimentation, and observations on his travels fed into his great work, which draws on material from the Galapagos Islands to rural Staffordshire, from English back gardens to colonial encounters. The present edition provides a detailed and accessible discussion of his theories and adds an account of the immediate responses to the book on publication. The resistances as well as the enthusiasms of the first readers cast light on recent controversies, particularly concerning questions of design and descent.


2014 ◽  
Author(s):  
Kristin Donnelly ◽  
Radmila Prislin ◽  
Ryan Nicholls
Keyword(s):  

2007 ◽  
Author(s):  
D. Ramona Bobocel ◽  
Russell E. Johnson ◽  
Joel Brockner

2004 ◽  
Author(s):  
John Chambers ◽  
Nick Epley ◽  
Paul Windschitl
Keyword(s):  

2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Tamara Feldman

This paper is a contribution to the growing literature on the role of projective identification in understanding couples' dynamics. Projective identification as a defence is well suited to couples, as intimate partners provide an ideal location to deposit unwanted parts of the self. This paper illustrates how projective identification functions differently depending on the psychological health of the couple. It elucidates how healthier couples use projective identification more as a form of communication, whereas disturbed couples are inclined to employ it to invade and control the other, as captured by Meltzer's concept of "intrusive identification". These different uses of projective identification affect couples' capacities to provide what Bion called "containment". In disturbed couples, partners serve as what Meltzer termed "claustrums" whereby projections are not contained, but imprisoned or entombed in the other. Applying the concept of claustrum helps illuminate common feelings these couples express, such as feeling suffocated, stifled, trapped, held hostage, or feeling as if the relationship is killing them. Finally, this paper presents treatment challenges in working with more disturbed couples.


2012 ◽  
Vol 21 (2) ◽  
pp. 223-243
Author(s):  
Irit Degani-Raz

The idea that Beckett investigates in his works the limits of the media he uses has been widely discussed. In this article I examine the fiction Imagination Dead Imagine as a limiting case in Beckett's exploration of limits at large and the limits of the media he uses in particular. Imagination Dead Imagine is shown to be the self-reflexive act of an artist who imaginatively explores the limits of that ultimate medium – the artist's imagination itself. My central aim is to show that various types of structural homologies (at several levels of abstraction) can be discerned between this poetic exploration of the limits of imagination and Cartesian thought. The homologies indicated here transcend what might be termed as ‘Cartesian typical topics’ (such as the mind-body dualism, the cogito, rationalism versus empiricism, etc.). The most important homologies that are indicated here are those existing between the role of imagination in Descartes' thought - an issue that until only a few decades ago was quite neglected, even by Cartesian scholars - and Beckett's perception of imagination. I suggest the use of these homologies as a tool for tracing possible sources of inspiration for Beckett's Imagination Dead Imagine.


2019 ◽  
Vol 28 (2) ◽  
pp. 163-178
Author(s):  
Trask Roberts

Self-translators are often granted freedoms in their translations unimaginable for standard translators. Whereas a standard translation usually prizes sameness (or invisibility as Lawrence Venuti argues), the self-translator may instead highlight difference or disruption. A burgeoning subfield of criticism has outlined the ways in which one of the most famous of these self-translators, Samuel Beckett, makes use of his role as translator to further the reach of his work beyond the constraints of a monolingual text. Whereas most of this criticism has taken aim at Beckett's prose and theater, this essay asks what can be gleaned about Beckett's translation style from his early poetry. Here I focus on Beckett's four-line, untitled poem which begins ‘je voudrais que mon amour meure’ (‘I would like my love to die’). Originally published in 1948 in the bilingual journal Transition Forty-eight, this poem would go on to be edited, translated, reedited, and retranslated over the course of nearly thirty years. The various iterations and translations of the poem are not always harmonious and instead force the reader to consider more deeply the themes of the poem and to question the role of translation. I read the poem in light of Beckett's 1934 essay ‘Recent Irish Poetry’ as well as consider it in response to W.B. Yeats' 1899 poem ‘He Wishes His Beloved Were Dead’. By situating the poem in this context, I argue that this poem is a manifestation of Beckett's argument in the essay that poetry must take into account the division between poet and object. His short poem demonstrates this division as well as that between original and translation and thus allows us a window onto his translation project at large. Considering Beckett's poetic translation permits us to consider how a complementarity of intention towards language does not necessarily entail complementary translations.


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