Demons of Disorder: Early Blackface Minstrels and Their World. By Dale Cockrell. New York: Cambridge University Press, 1997; 256 pp.; $59.95 cloth, $19.95 paper. Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy. Edited by Annemarie Bean, James V. Hatch, and Brooks McNamara. Hanover, NH: Wesleyan University Press, UPNE, 1996; 310 pp.; 25 illustrations, $22.95 paper. Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910. By David Krasner. New York: St. Martin's Press, 1997; 252 pp.; $55.00 cloth, $16.95 paper.

2000 ◽  
Vol 44 (3) ◽  
pp. 183-188
Author(s):  
Thomas DeFrantz
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
African American ◽  
Double Consciousness ◽  
Cambridge University ◽  
American Theatre ◽  
Blackface Minstrelsy

Theatre, Culture and Temperance Reform in Nineteenth-Century America. By John W. Frick. New York: Cambridge University Press, 2003; pp. 225 + illus. $70 cloth.

2004 ◽  
Vol 45 (2) ◽  
pp. 288-290
Author(s):  
Rosemarie K. Bank
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Moral Reform ◽  
Temperance Movement ◽  
Cambridge University ◽  
American Theatre ◽  
Nineteenth Century America ◽  
The Arts ◽  
Definition Of

From its beginning, John W. Frick's Theatre, Culture and Temperance Reform in Nineteenth-Century America does the work of overhauling the received tradition with respect to melodrama, progressivism, the temperance movement, and social and moral reform in nineteenth-century American theatre. Frick's thesis is that “nineteenth-century temperance drama was born of the intersection of temperance motives and ideology with progressive trends in literature and the arts” (13). Though his definition of progressivism is (I think, too) broad, Theatre, Culture and Temperance Reform is neither a survey of temperance plays (readers are referred to two dissertations that have undertaken this work) nor a survey of progressive trends. Rather, it seeks to illustrate “stages or facets of temperance ideology and/or production” (16).

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