AIDŌS did not prevent her: An intertextual approach to Komnene's depictions of women in positions of power

<p>Anna Komnene depicts several women in positions of power in the Alexiad, the earliest extant historiographical text written by a woman from the Byzantine period. The intertextual qualities of these depictions of women, however, have not received much attention and indeed the impact of the gender of the author on the text is a topic which skews much of the scholarship. This thesis aims to show that several signposted quotations of earlier source texts reveal an author in the act of contemplating the expectations of gendered behaviour for her narrative subjects, including her own authorial persona. The chapters in this thesis focus on the depictions of four women and the roles they play in the Alexiad: Anna Dalassene, Gaita of Salerno, Emma of Hauteville and Anna Komnene. First, the construction of one or more of these characters is broken down and the evidence in the text concerning the positions of power held by the woman is analysed. Second, an intertextual reading of a passage related to the characterisation of each woman is posed in order to discuss what is similar or different concerning the source text or texts and the target text. The rhetorical goals behind the depictions of the women are also considered, and their actions in relation to the societal expectations of appropriate gendered behaviour for women and men during the Byzantine Empire. The four case studies demonstrate that Komnene depicted these women using their power in the service of the family unit while showing due deference to their fathers, husbands or adult sons. Furthermore, the “double consciousness” of Komnene, as revealed in these depictions, shows her commitment to the contemplation of the power of women and the ways in which women could utilise their self-control to manipulate expectations of gendered behaviour and thus protect their family units, and therefore the means by which they came to hold power. The outcome of this research contributes to efforts to better understand representations of gender in the literature of the Byzantine empire, deepens the discussions of Komnene’s use of source texts and expands on the insights of earlier scholarship.</p>

AIDŌS did not prevent her: An intertextual approach to Komnene's depictions of women in positions of power

<p>Anna Komnene depicts several women in positions of power in the Alexiad, the earliest extant historiographical text written by a woman from the Byzantine period. The intertextual qualities of these depictions of women, however, have not received much attention and indeed the impact of the gender of the author on the text is a topic which skews much of the scholarship. This thesis aims to show that several signposted quotations of earlier source texts reveal an author in the act of contemplating the expectations of gendered behaviour for her narrative subjects, including her own authorial persona. The chapters in this thesis focus on the depictions of four women and the roles they play in the Alexiad: Anna Dalassene, Gaita of Salerno, Emma of Hauteville and Anna Komnene. First, the construction of one or more of these characters is broken down and the evidence in the text concerning the positions of power held by the woman is analysed. Second, an intertextual reading of a passage related to the characterisation of each woman is posed in order to discuss what is similar or different concerning the source text or texts and the target text. The rhetorical goals behind the depictions of the women are also considered, and their actions in relation to the societal expectations of appropriate gendered behaviour for women and men during the Byzantine Empire. The four case studies demonstrate that Komnene depicted these women using their power in the service of the family unit while showing due deference to their fathers, husbands or adult sons. Furthermore, the “double consciousness” of Komnene, as revealed in these depictions, shows her commitment to the contemplation of the power of women and the ways in which women could utilise their self-control to manipulate expectations of gendered behaviour and thus protect their family units, and therefore the means by which they came to hold power. The outcome of this research contributes to efforts to better understand representations of gender in the literature of the Byzantine empire, deepens the discussions of Komnene’s use of source texts and expands on the insights of earlier scholarship.</p>

Double Consciousness in Hanif Kureishi’s The Black Album

This article throws light on the issue of identity and Double Consciousness which creates traumatic effects on the psyche, identity and culture of Shahid, the representative of South Asian Immigrants depicted in Hanif Kureishi’s The Black Album in Britain. In The Black Album, Shahid is depicted as a South Asian British Muslim who looks at himself from the eyes of the White British and he finds two-ness in himself, which is similar to W. E. B. Du Bois’ theory of Double Consciousness that “is the sense of always looking at one’s self from the eyes of others” (2). So, the article reveals the double consciousness of Shahid, the protagonist who carries hybrid identity for having British White mother and Pakistani Muslim father. Because of being a South Asian Muslim immigrant living under the hegemony of White Supremacy in Britain, he experiences Double Consciousness, which causes his inferiority complex, lack of self-esteem, rootlessness, in-betweenness and fragmentation of identity. Thus, the article deals with the Double Consciousness within the binary opposition between the East and West, Islamic Fundamentalist and Western Liberalism, and Pakistani Identity and British Identity. According to the theorists Homi Bhabha, Edward Said and Frantz Fanon, the colonized people who become immigrants in the postcolonial era suffer from identity crisis and double consciousness as they face segregation, racism, discrimination and various other forms of Othering.

The element of surprise in Peirce’s double consciousness paradigm

This account will demonstrate that the element of surprise is a fundamental device in establishing double consciousness regimes; it further shows how such dialogic paradigms foster abductive inferences by filtering out irrelevant percepts/antecedents. The account sets up Peirce’s Pheme to be the primary device which shocks interpreters’ sensibilities (CP 8.266, 1903) – starting them on a course to question conflicting principles between ego and non-ego (CP 5.53, 1903: CP 8.266). The natural disposition of surprise to instantaneously deliver insight into which antecedents are relevant to vital, anomalous consequences demonstrates its indispensability in generating logical and semiotic advances. For Peirce, vividness, as an element of surprise in Secondness, is largely responsible for the nuts and bolts of how surprise facilitates logic; its means to activate searches for plausible antecedents makes vividness the prime candidate. The success of vividness at turning the mind of interpreters to new ways of explaining the consequence largely hinges upon the external properties of the unexpected consequence – not merely objects’ instantaneity, but their striking characteristics, as well. Even though vividness is external (MS 645, 1909; cf. Atkins, Richard Kenneth. 2018. Charles S. Peirce’s phenomenology: Analysis and consciousness. Oxford: Oxford University Press: 198), it produces internal responses, in the form of a war against feelings (CP 8.330, 1904). In this way, double consciousness paradigms are initiated, which, in turn, call for hypothesis generation.

Double Consciousness in the 21st Century: Du Boisian Theory and the Problem of Racialized Legal Status

In W.E.B. Du Bois’ Souls of Black Folk, he argued that the problem of the 20th century in the United States was the problem of the color line. Given that de facto and explicit racial discrimination persist, anti-immigrant rhetoric is intensifying, and legal status has become more salient, we argue Du Boisian theory remains relevant for understanding social and political cleavages in the 21st century United States. The intersection of race, ethnicity, and legal status or “racialized legal status” represents a new variation of Du Bois’ “color line,” due to how these statuses generate cumulative disadvantages and exclusion for citizens and immigrants of color, particularly the undocumented. We begin with a review of Du Bois’ double consciousness theory, highlighting the marginalization of African Americans. Next, we apply double consciousness to the 21st century U.S. context to empirically demonstrate parallels between 20th century African Americans and the marginalization faced today by people of color. We close with a discussion about how double consciousness enhances our understanding of citizenship and has also generated agency for people of color fighting for socio-political inclusion in the contemporary United States.

Socially Embedded Agency

This chapter proposes a distinctive kind of agency that can vindicate the agency of members of marginalized groups while accommodating the autonomy-undermining influences of oppression. Socially embedded agency—the locus of which is in the exercise of our ability to negotiate between different social features—is compatible with, and can explain, various phenomena, including double-consciousness and white fragility. Moreover, although socially embedded agency is neither necessary nor sufficient for autonomy, exercising it is practically necessary to achieve autonomy, at least for members of marginalized groups in our non-ideal world. This means that we can also explain why many have thought that there was a tension between autonomy-eroding effects of oppression and the call for respecting the agency of those who are oppressed.