An Implicit Theology of Mad Men

2020 ◽  
Vol 24 (4) ◽  
pp. 415-430
Author(s):  
Scott Hubbard

Abstract One of the most striking sites of secular-religious encounter in narrative fiction of the decade has been the baptismal imagery of the television serial drama Mad Men. Set in an era which may be said to be the high-water mark of the secularization of American culture, Mad Men’s encoding of meaning in symbolic representation in effect re-sacralizes the secular world into which those symbols are transplanted. The symbolism’s divergences from Christian doctrine and ritual that give Mad Men its distinct theological significance. This paper will explore the literary implications of Paul Ricoeur’s theory of religious symbolism. This paper conducts several close readings of key moments in the show’s use of baptismal symbolism, and offers thoughts about how Mad Men’s constellation of originally religious symbols to convey narrative significance empowers the show to perform a religious function for its audience.

Author(s):  
Martin A. Levin ◽  
Lisa L. Cale ◽  
Valerie Lynch-Holm

Orchestia is a genus of amphipod in the crustacean class Malacostraca. The order Amphipoda contains over 6000 species commonly called side swimmers, scuds and beach fleas(1). Most are marine bottom-dwellers utilizing their thoracic legs and posterior abdominal uropods for walking, crawling and swimming. However, some, like those in the genera Orchestia and Hyale are semiterrestrial. These amphipods, commonly referred to as “beach fleas,' “beach hoppers” or “sand fleas” can hop vigorously for great distances (up to 50 times their length) by extending their abdomens and telsons against the sand(2).In our study, the ultrastructure of the dorsal muscle cord of Orchestia grillus was examined. Vogel(3) described the abdominal muscles of Orchestia cavimana as consisting of two groups of muscles: a strong, complex, dorsal muscle cord used mainly for hopping and a group of weaker, ventral, longitudinal and oblique muscles.The specimens were collected in clumps of decaying seaweed and other detritus from the intertidal zone near the high water mark at Avery Point Beach, Connecticut.


Author(s):  
S. Caleb Douglas ◽  
Tyrel G. Wilson

Union Pacific Railroad’s Moffat Tunnel Subdivision, west of Denver, Colorado, was significantly impacted by an approximately 500 to 1,000 year storm event that occurred between September 9, 2013 and September 13, 2013. As a result of this historic event, washouts, earth slides, and debris flows severely impacted track infrastructure by eroding track embankments, destabilizing surrounding native slopes, and overwhelming stormwater infrastructure. Emergency response activities performed to restore track operations at Milepost (MP) 25.65 and MP 22.86 required the integration of civil, hydraulic, environmental and geotechnical engineering disciplines into emergency response and construction management efforts. Additionally, support from UPRR’s Real Estate Division was required when addressing private ownership and site access issues. The following text summarizes how coordinated efforts between various groups worked together in a pressure setting to restore rail service. The most significant damage occurred at MP 25.65 in a mountainous slot canyon between two tunnels accessible only by rail and consisted of a washout, approximately 200 feet (61 m) in length with a depth of 100 feet (30 m). MP 22.86 experienced slides on both sides of the track resulting in an unstable and near vertical track embankment which required significant fill and rock armoring. In addition to the embankment failures at MP 22.86, flood flows scoured around the underlying creek culvert, further threatening the geotechnical stability of the track embankment. The storm event highlighted the vulnerability of fill sections, where original construction used trestles. The repair plan engineered for MP 25.65 was developed to restore the lost embankment fill to near pre-flood conditions while limiting environmental impacts in order to minimize regulatory permitting requirements. Fill replacement performed during the initial emergency response was completed within 22 days, notwithstanding site remoteness and difficult access. Repair of the embankment required the placement of approximately 90,000 cubic yards (68,800 cubic meters) of fill and installation of four 48-inch (122-cm) culverts. Repair of embankment sloughing and scour damage at MP 22.86 was accomplished without the need for environmental permits by working from above the ordinary high water mark, using a “one track in – one track out” approach while restoring infrastructure to pre-flood conditions. A new headwall to address flow around the culvert inlet received expedited permit authorization from the U.S. Army Corps of Engineers by limiting the construction footprint through implementation of best management practices and minimizing placement of fill below the ordinary high water mark. Service interruptions, such as those at MP 22.86 and MP 25.65, require sound engineering practices that can be quickly and efficiently implemented during emergency response situations that often occur in less than ideal working environments. Track outages not only impact the efficiency of a railroad’s operating network, but also impact interstate and global commerce as transportation of goods are hindered. The need to have a team of experienced engineering and construction professionals responding to natural disasters was demonstrated by this storm event.


2011 ◽  
Vol 27 (2) ◽  
pp. 114-140
Author(s):  
Michael A. Morrison

Paul Robeson's Othello, first seen in London during the season of 1929–30, stands as a high-water mark of twentieth-century Shakespearean interpretation. Robeson was the first actor of African descent to appear in an extended-run Shakespearean production at a leading West End venue (Ira Aldridge, whose last London appearance came sixty-five years earlier, had made only three brief appearances at major London theatres). Here, Michael A. Morrison examines the circumstances surrounding Robeson's London Othello in 1930 and the far-reaching influence of his achievement on future generations of performers and playgoers. Michael A. Morrison is a New York-based writer and teacher. He is the author of John Barrymore, Shakespearean Actor (Cambridge University Press, 1997) and the forthcoming Paul Robeson's Othello.


2008 ◽  
Vol 4 (2) ◽  
Author(s):  
Richard Norman

The New Zealand public management model is a product of 1980s and 1990s enthusiasm for replacing hierarchy and centralised bureaucracies with contracts and market-like methods for delivering public services. Fervour for change from tradition is illustrated by the titles of these books published in 1992, a high-water mark for public sector reform in New Zealand: Liberation Management (Peters, 1992), Reinventing Government (Osborne and Gaebler, 1992) and Breaking through Bureaucracy (Barzelay, 1992).


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