Epilogue International System and Imperial System in the ‘Short’ Eighteenth Century: Two Worlds?

1982 ◽  
Vol 8 (1) ◽  
pp. 1-8 ◽  
Author(s):  
F. H. Hinsley

In the history of relations between the worlcfs leading states since the end of the eighteenth century certain features stand out prominently. One is that infrequent wars have alternated with long periods of peace. From the 1760s to the 1790s these states were at peace; from the 1790s to 1815 they were at war; from 1815 to 1854, peace; 1871 to 1914, peace; 1914 to 1918, war; 1918 to 1939, peace; 1939 to 1945, war; and since 1945 another 36 years of peace already. Another feature, no less pronounced, is that each of these infrequent wars has been more demanding and devastating for all participants, more nearly total, than that which preceded it. In these respects, as also in a third on which I shall enlarge later on, international conduct in the past 200 years has differed from international conduct in all earlier times, when states were more or less continuously engaged in wars that remained limited in scale – and so much so that the rise of the modern system may safely be traced back to the end of the eighteenth century.


1961 ◽  
Vol 14 (1) ◽  
pp. 118-143 ◽  
Author(s):  
George Modelski

Ever since the invention of the steam engine in the eighteenth century, men have reflected upon the profound transformations being wrought in their societies by what soon came to be called the Industrial Revolution. In their own fields, historians, economists, sociologists, military specialists, and Marxist philosophers have all traced the effects of industrialization, and some of them—particularly those interested in and aroused by war—have perceived the implications of these changes for international relations. Priority in this respect seems to belong to Auguste Comte, the founder of modern sociology, for devising the first analytical-historical model of the industrial society—one moreover that explicitly, though not always convincingly, pointed to the international repercussions of industrialism. In an essay first published in 1822, Comte drew a distinction betwelen two types (or models) of civilization: the Theological and Military, and the Scientific and Industrial (there also was a third, transitional—as he called it, “mongrel””type, the Metaphysical and Juridical). Comte's first model is notable for the predominance of military activities: “Society makes conquest its one permanent aim.” War makes it possible to found larger societies. In the transitional stage, he observed, “The two aims of activity, conquest and production, advance pari passu. Industry is at first favoured and protected as a military resource. Later its importance augments, and finally war is regarded and systematically pursued as a means of favouring industry.” But, in the last model, “industry has become predominant. All the special relations have gradually established themselves upon industrial bases. Society, taken collectively, tends to organize itself in the same manner,” renounces conquest and war, and makes production “its only and constant aim.”


2001 ◽  
Vol 27 (5) ◽  
pp. 147-163 ◽  
Author(s):  
James R. Sofka

The conceptual foundations of the eighteenth century international system, long neglected in narrative diplomatic histories, are enjoying increased attention with the recent contributions of Jeremy Black, Paul Schroeder, and Michael Doyle. Nevertheless, in political science literature the period is routinely treated as an interesting—yet quickly dispatched—‘prequel’ to the post-1815 order which matured in the Bismarckian alignments of the late nineteenth century. Indeed, as a field of study the period has been all but ignored in the discipline of international relations.


2004 ◽  
Vol 1 (1) ◽  
pp. 47-60 ◽  
Author(s):  
JAMES WEBSTER

Period concepts and periodizations are constructions, or readings, and hence always subject to reinterpretation. Many recent scholars have privileged institutional and reception history over style and compositional history, and periodized European music according to the ‘centuries’; but these constructions are no less partial or tendentious than older ones. Recent historiographical writings addressing these issues are evaluated.If we wish to construe the eighteenth century as a music-historical period, we must abandon the traditional notion that it was bifurcated in the middle. Not only did the musical Baroque not last beyond 1720 in most areas, but the years c1720–c1780 constituted a period in their own right, dominated by the international ‘system’ of Italian opera, Enlightenment ideals, neoclassicism, the galant and (after c1760) the cult of sensibility. We may call this the ‘central’ eighteenth century. Furthermore, this period can be clearly distinguished from preceding and following ones. The late Baroque (c1670–c1720) was marked by the rationalization of Italian opera, tragédie lyrique, the standardization of instrumental genres and the rise of ‘strong’ tonality. The period c1780–c1830 witnessed the rise of the ‘regulative work-concept’ (Goehr) and ‘pre-Romanticism’ (Dahlhaus), and the Europe-wide triumph of ‘Viennese modernism’, including the first autonomous instrumental music and a central role in the rise of the modern (post-revolutionary) world, symbolized by Haydn’s sublime in The Creation.A tripartite reading of a ‘long’ eighteenth-century in music history along these lines seems more nearly adequate than either baroque/classical or 1700–1800 as a single, undifferentiated period.


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