The Debate Surrounding Lay Bible Reading in Spain in the Sixteenth Century

1993 ◽  
Vol 44 (4) ◽  
pp. 689-695
Author(s):  
Peter Wilcox

During the seven years between 1555 and 1562, a transformation took place in the character of early French Protestantism. Before 1555 reformed communities in the kingdom of France were relatively scarce, and only loosely affiliated; by 1562 they had become more numerous, and more centralised. Before 1555 a typical congregation would meet, without either a minister or a system of ecclesiastical discipline, for prayers, the singing of hymns and bible-reading; by 1562, the same group would probably have not only its own pastor to preach and administer the sacraments, but also a consistory to enforce church discipline. In the most recent secondary literature this development is commonly described as the transformation of églises plantées into églises dressées. It is said, for example by Prestwich, that ‘the consistory became the mark of a true church, termed an église dressée, in contrast to the amorphous Bible gatherings, known as églises plantées’. The purpose of this brief article is to question whether these terms were ever contrasted in this way in the mid-sixteenth century, and to suggest that other phrases express the development more accurately.


Itinerario ◽  
2000 ◽  
Vol 24 (2) ◽  
pp. 62-79
Author(s):  
W.J. Boot

In the pre-modern period, Japanese identity was articulated in contrast with China. It was, however, articulated in reference to criteria that were commonly accepted in the whole East-Asian cultural sphere; criteria, therefore, that were Chinese in origin.One of the fields in which Japan's conception of a Japanese identity was enacted was that of foreign relations, i.e. of Japan's relations with China, the various kingdoms in Korea, and from the second half of the sixteenth century onwards, with the Portuguese, Spaniards, Dutchmen, and the Kingdom of the Ryūkū.


2009 ◽  
Vol 29 (2) ◽  
pp. 5-19
Author(s):  
Donald Beecher

This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his community. The article deals with the complex relationship between the court and the Jewish "università" concerning the drama and the way in which dramatic performances also became part of the political, judicial and social negotiations between the two parties, as well as a study of Leone's role as playwright and negotiator during a period that was arguably one of the best of times for the Jews of Mantua.


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