Lobbying for Money in the Aftermath of Dutch Brazil

2020 ◽  
pp. 238-259
Keyword(s):  
2012 ◽  
Vol 2 (3) ◽  
pp. 223-246
Author(s):  
Britt Dams

This article deals with the textual legacy of Dutch Brazil, in particular the ethnographic descriptions in one of the most popular works about the colony: Barlaeus’ Rerum per Octennium in Brasilia et alibi nuper gestarum. Barlaeus never set foot in Brazil, but was an important Dutch intellectual authority in the seventeenth century. To compose the Rerum per Octennium, he relied on a wide variety of available sources, not only firsthand observations, but also classical, biblical and other contemporary sources. From these, he made a careful selection to produce his descriptions. Recent research shows that the Dutch participated in networks of knowledge and imagination as well as in a more familiar early modern trading network. This article reveals that Barlaeus’ descriptions not only circulated as knowledge, but also produced new knowledge. The Rerum soon became one of the standard works about the colony due to the importance of its author and its composition. Furthermore, the article discusses the rhetorical techniques used in some selected descriptions in order to shed light upon the strategies Barlaeus used in his discourse on the strange reality of the New World. For example, his ethnographic descriptions employed parallel customs or events from the classical Antiquity or the Bible. In these comparisons he displays both his intellectual capacities and shows his desire to comprehend this exotic reality.


2014 ◽  
pp. 146-167
Author(s):  
Johan Verberckmoes ◽  
Michiel van Groesen
Keyword(s):  

Itinerario ◽  
2001 ◽  
Vol 25 (1) ◽  
pp. 85-122 ◽  
Author(s):  
R.P. Brienen

The German scholar Georg Marcgraf was the first trained astronomer in the New World and co-author of the earliest published natural history of Brazil, Historia naturalis Brasiliae (Leiden and Amsterdam 1648) (Fig. 1). Arriving in the Americas in 1638, Marcgraf took his place among a remarkable group of scholars and painters assembled at the Brazilian court of the German count Johan Maurits van Nassau-Siegen (1604–1679), the governor-general of Dutch Brazil from 1637–1644.1 Dutch Brazil was established by the Dutch West India Company (WIC), which was created in 1621 to engage in trade, conquest, and colonisation in the Americas and Africa. Except for Marcgraf, the most important members of the Count's entourage were Dutch and included the painters Albert Eckhout (c. 1610 - c. 1666) and Frans Post (1612–1680) and the physician Willem Piso (1611–1678). The rich group of scientific and visual materials they created are comparable in both scope and importance with the works created by Sydney Parkinson, William Hodges, and others during the Pacific voyages of Captain Cook in the eighteenth century.2 The Count's support of natural history, astronomy, and scientific and ethnographic illustration during his governorship was highly unusual, setting him apart from other colonial administrators and military leaders in the seventeenth century. Indeed, he is responsible for establishing both the first observatory and the first botanical garden in the New World, sparing no expense in creating a princely empire for himself in the Brazilian wilderness.


2015 ◽  
Vol 52 (07) ◽  
pp. 52-3833-52-3833
Keyword(s):  

2016 ◽  
Vol 20 (1) ◽  
pp. 63-85 ◽  
Author(s):  
Carrie Anderson

Although textiles were key facilitators in global diplomacy in the early modern period, there has been little scholarly consideration of the dynamic role they played in shaping diplomatic relationships during a time when textiles of all types from both east and west were circulating actively as wholesale commodities across world markets. This case study addresses this lacuna by examining the role that textiles, including linens, silks, and tapestries, played in mediating the inter- and intra-cultural diplomatic negotiations of Johan Maurits of Nassau-Siegen (1604-1679), the governor-general of Dutch Brazil from 1637 to 1644. As I argue, the production and dissemination of objects such as linens and especially the Old Indies tapestry series, based on designs made under Johan Maurits’s patronage, demonstrate how textiles, in their many forms and formats, were uniquely suited to negotiate the dynamic shifts that characterized cross-cultural diplomacy in the early modern period.


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