Self Becomes Nation: Sol Bloom and America’s World Fairs, 1893–1939

2021 ◽  
pp. 217-236
Keyword(s):  
2018 ◽  
Vol 2 (1) ◽  
pp. 2-27
Author(s):  
Luca van Buren

‘CENTRE OF A BENEFICENT FORCE IN EDUCATION’ OR ‘ORDINARY MERCHANT BUSINESS’? THE MUSEUM OF EDUCATION AND ART IN ROTTERDAM, 1880-1886 For a short period of time, the city of Rotterdam housed a rather unique museum, the Museum of Education and Art (Museum voor Onderwijs en Kunst). It existed for six years and only for less than a year in its original form. In 1880 it was unlike other educational or – as they were usually called – school museums. Other than today’s cultural history school museums, these museums were integrated in education and functioned as a means to support mass education by the state. They did so by exhibiting the whole range of school materials to enable headmasters and teachers to make informed choices. School materials were also displayed at educational exhibitions at world fairs. The Museum in Rotterdam was exceptional because it was a private, commercial enterprise, unlike other school museums which were established by schoolboards, local authorities, or by a state. In addition, it was the first and probably the only case with a purpose-built housing, where others generally used existing (school)buildings or were part of an arts and crafts museum.


1989 ◽  
Vol 31 (2) ◽  
pp. 195-216 ◽  
Author(s):  
Carol A. Breckenridge

In the second half of the nineteenth century, objects from India were repeatedly assembled for display at international exhibitions, known then and now as world fairs. Their transience and ephemerality set world fairs apart as extraordinary phenomena in the world of collecting. They are special because, despite the permanence they imply, they do not last; they come and they go. Their buildings are constructed, and then, by international charter, they are deconstructed. They are also special because they place objects in the service of commerce and in the service of the modern nation—state, with the inevitable imperial encounters that these two forces promote. In doing so, they yoke cultural material with aesthetics, politics and pragmatics.


1978 ◽  
Vol 12 (3) ◽  
pp. 503-522 ◽  
Author(s):  
Michael R. Godley

From before the turn of the century, the great powers held large commercial, industrial and technological exhibitions to show off the fruits of progress and to give their citizens a glimpse of where civilization was headed. World fairs thus provided one window into the future. But it must be remembered that such events also constructed monuments to their own era—an age when jingoism and a paradoxical recognition of the shrinking nature of the globe coexisted before the road to war. In the final analysis, the grand exposition, with its curiosity about other peoples and nations and its faith nonetheless that mechanical invention would soon make everyone much the same, was a place where imperialists met in thinly disguised competition. How strange it must seem, then, to learn that the last Chinese dynasty, having just discovered the power of nationalism, attempted an international exposition of its own in the summer of 1910 at the same time that the ‘Festival of Empire Exhibition’ was booked into London's famed Crystal Palace.


1950 ◽  
Vol 55 (4) ◽  
pp. 833 ◽  
Author(s):  
Merle Curti
Keyword(s):  

1981 ◽  
Vol 5 (2) ◽  
pp. 2-7 ◽  
Author(s):  
Burton Benedict
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document