The Fame Of Fake, Dionysius The Areopagite: Fabrication, Falsification, And The ‘Cloud Of Unknowing’

2010 ◽  
pp. 301-311
2010 ◽  
pp. 39-54 ◽  
Author(s):  
Filip Ivanovic

One of the thinkers who intellectually consolidated deification and gave it a solid doctrinal basis, which has remained fundamentally important until today, was (Pseudo)-Dionysius the Areopagite. His entire thought was dedicated to the deification of all creation, and ultimate goal was "the cloud of unknowing", in which the soul, following the ascending path of apophatic theology, reaches mystical union with God. The ascending process starts with material objects, symbols, through which God manifests Himself to humanity. Given the reality of the human person, who is called upon to receive the revelation, the Divinity cannot be perceived without the help of mediators that, for Dionysius, were "sacred veils" beneath which the divine light is hidden. The aim of this article is to highlight the role of visual elements (material objects, symbols) as the starting point in the process of deification, and in the context of the aesthetic elements of Christianity and the Church?s doctrine of deification, which owes its foundation to the Areopagite.


1980 ◽  
Vol 16 (1) ◽  
pp. 85-95
Author(s):  
F. Rosen

This paper has been prompted by the conviction that a number of ethical and political doctrines in Plato remain obscure and somewhat unintelligible unless related to the contemplative experience of the Platonic philosopher.1 I shall concentrate here on one such doctrine, the distinction between philosophic and popular virtue, especially as it appears in the Phaedo and the Gorgias. But in order first to clarify our conception of the relationship between contemplation and virtue, I shall examine the fourteenth-century English classic, The Cloud of Unknowing, which is mainly concerned with the practice of contemplation and only remotely connected with Plato.2 One finds in The Cloud a perceptive account of the contemplative's acquisition of ‘perfect’ virtue which enables us to see the distinction between philosophic and popular virtue in Plato in a fresh light. After discussing the important passage in the Phaedo (69A–C) where the distinction is drawn, I shall criticise the account of virtue in Plato given by D. Z. Phillips and H. O. Mounce in Moral Practices where the contemplative context is minimised by their endeavour to see morality wholly in terms of conventions (albeit, for Plato, ‘non-conventional’ conventions).3 In this section, the argument between Socrates and Polus in the Gorgias will be discussed in light of the way Phillips and Mounce distinguish their respective ethical positions. The object of the paper is not only to point to the significance of contemplation in Plato's ethics which has been overlooked by many modern philosophers, but also to note the way our understanding of the dialogue form in Plato depends on the unique perspective of the contemplative philosopher.


2021 ◽  
Vol 114 (1) ◽  
pp. 96-117
Author(s):  
Michael Motia

AbstractRobert Orsi’s argument that religion, more than a system of “meaning making,” is a “network of relationships between heaven and earth” helps us understand what is at stake in imitation for early Christians. The question for Orsi is not, “What does it mean to imitate Paul?” as much as it is, “In what kind of relationship is one engaged when one imitates Paul?” Christians argue over both what to imitate (Who is Paul?) and how to imitate (How should Christians relate to Paul in order to be like him or to render him present?). The what has received lots of scholarly attention; this paper focuses on the how. I compare the range of possibilities of how to imitate Paul by focusing on three influential accounts of mimesis: Pseudo-Dionysius the Areopagite (ekstasis), John Chrysostom (ekphrasis), and Gregory of Nyssa (epektasis).


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