SYMBOL AND MYTH IN THE LIFEWORLD OF THE MIDDLE AGES AND NEW TIME: FROM DIONYSIUS THE AREOPAGITE TO ALFRED SCHÜTZ

2018 ◽  
pp. 10-26
Author(s):  
Andrei V. Karavashkin ◽  
Keyword(s):  
Middle Ages ◽  
Alfred Schutz ◽  
Dionysius The Areopagite ◽  
Alfred Schütz ◽  
The Middle Ages ◽  
New Time

scholarly journals SCIENTIFIC AND EDUCATIONAL SEMINAR «WOMEN'S TRADI-TIONAL CULTURE AND COSTUME IN THE ERA OF THE MEDIE-VAL AND NEW TIME» AT THE HISTORICAL FACULTY OF TVGU

2021 ◽  
pp. 129-131
Author(s):  
Юлия Владимировна Степанова
Keyword(s):  
Science Education ◽  
Middle Ages ◽  
Traditional Culture ◽  
State University ◽  
Art Historians ◽  
History Of ◽  
Educational Seminar ◽  
Young Researchers ◽  
The Middle Ages ◽  
New Time

В сообщении характеризуется серия научно-образовательных семинаров «Женская традиционная культура и костюм в эпоху Средневековья и Новое время», проходивших на историческом факультете ТвГУ с 2010 по 2021 гг. Семинары объединили опытных и молодых исследователей - археологов, историков, искусствоведов, музеологов, реконструкторов России, Беларуси, Украины, Молдовы в изучении и обсуждении проблем формирования, эволюции, реконструкции исторического костюма различных территорий и эпох. Семинар получал поддержку Российского гуманитарного научного фонда. Материалы семинара опубликованы в трех выпусках одноименного сборника статей, индексируемого РИНЦ. В 2021 г. семинар объединил участников из учреждений науки, образования и культуры Москвы, Твери, Санкт-Петербурга, Ельца. The report describes a series of scientific and educational seminars «Women's traditional culture and costume in the Middle Ages and the New Time». They were held at the Faculty of History of Tver State University from 2010 to 2021. The seminars brought together experienced and young researchers - archaeologists, historians, art historians, museologists, reenactors from Russia, Belarus, Ukraine, Moldova in the study and discussion of the problems of formation, evolution, reconstruction of the historical costume of different territories and eras. The seminar was supported by the Russian Foundation for the Humanities. The materials of the seminar were published in three issues of the collection of articles of the same name, indexed by the RSCI. In 2021, the seminar brought together participants from institutions of science, education and culture of Moscow, Tver, St. Petersburg, Yelets.

scholarly journals The Influence of the Renaissance on Richard Hooker

Perichoresis ◽  
2014 ◽  
Vol 12 (1) ◽  
pp. 93-116
Author(s):  
Egil Grislis
Keyword(s):  
Middle Ages ◽  
History Of Ideas ◽  
Early Church ◽  
European Context ◽  
Dionysius The Areopagite ◽  
History Of ◽  
Hermes Trismegistus ◽  
Pseudo Dionysius ◽  
The Middle Ages

ABSTRACT Like many writers after the Renaissance, Hooker was influenced by a number of classical and Neo-Platonic texts, especially by Cicero, Seneca, Hermes Trimegistus, and Pseudo-Dionysius. Hooker’s regular allusions to these thinkers help illuminate his own work but also his place within the broader European context and the history of ideas. This paper addresses in turn the reception of Cicero and Seneca in the early Church through the Middle Ages and Renaissance, Hooker’s use of Ciceronian and Senecan ideas, and finally Hooker’s use of Neo-Platonic texts attributed to Hermes Trismegistus and Dionysius the Areopagite. Hooker will be shown to distinguish himself as a sophisticated and learned interpreter who balances distinctive motifs such as Scripture and tradition, faith, reason, experience, and ecclesiology with a complex appeal to pagan and Christian sources and ideas.

Calfurnio's Identification of Pseudepigrapha of Ognibene, Fenestella, and Trebizond, and His Attack on Renaissance Commentaries

1988 ◽  
Vol 41 (1) ◽  
pp. 32-43 ◽  
Author(s):  
John Monfasani
Keyword(s):  
Middle Ages ◽  
Western Culture ◽  
Literary Works ◽  
Dionysius The Areopagite ◽  
Large Influence ◽  
Corpus Hermeticum ◽  
Pseudo Dionysius ◽  
The Middle Ages

Literary forgeries and pseudepigrapha have played an important role in Western culture since antiquity. One thinks of the large influence exercised in the Middle Ages and Renaissance by the writings of Pseudo-Dionysius the Areopagite, the Corpus Hermeticum, the Zohar, the Pseudo-Aristotelian Liber de causis, the Pseudo- Ciceronian Rhetorica ad Herennium, the correspondence between St. Paul and Seneca, and the vast sea of pseudonymous hagiographical literature. However, in the Renaissance the situation changed somewhat because printing did more than merely provide a new medium for the diffusion of pseudonymous literary works; it increased greatly the possibility of financial profit for the publishers, printers, and, eventually, authors of such works.

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