scholarly journals Flowers in the Attic: Lateralization of the detection of meaning in visual noise

2020 ◽  
Vol 20 (10) ◽  
pp. 11
Author(s):  
Simon J. Cropper ◽  
Ashlan McCauley ◽  
O. Scott Gwinn ◽  
Megan Bartlett ◽  
Michael E. R. Nicholls
Keyword(s):  
Author(s):  
Kevin Dent

In two experiments participants retained a single color or a set of four spatial locations in memory. During a 5 s retention interval participants viewed either flickering dynamic visual noise or a static matrix pattern. In Experiment 1 memory was assessed using a recognition procedure, in which participants indicated if a particular test stimulus matched the memorized stimulus or not. In Experiment 2 participants attempted to either reproduce the locations or they picked the color from a whole range of possibilities. Both experiments revealed effects of dynamic visual noise (DVN) on memory for colors but not for locations. The implications of the results for theories of working memory and the methodological prospects for DVN as an experimental tool are discussed.


1977 ◽  
Vol 17 (8) ◽  
pp. 903-910 ◽  
Author(s):  
Joseph J. Mezrich ◽  
Albert Rose

2018 ◽  
Vol 2 (1) ◽  
Author(s):  
Bogdan Alexandrov ◽  
◽  
◽  

In the era of image, painting loses its privileged position on the typological scale of visual arts. The horizontal leveled order changes essentially its coordinates to transform them into a media, equivalent to visual arts based on technology and/or time. The change does not happen without resistance. We find traces and testimonies of the desire to preserve the “self-centered” memory of the ever-prevailing painting in the attributed elements of initially considered to be her denials – photography and digital arts. We are witnessing a strange paradox – in an attempt to preserve itsclaiming perfection nature, painting recognizes the inherentin technology imperfections. The report discusses the visual noise as a possible painting method, demonstrated in the author’s artistic practice and specifically stated in several cycles of works, presented at four exhibitions.


2016 ◽  
Vol 16 (7) ◽  
pp. 8 ◽  
Author(s):  
Suva Roy ◽  
Rob de Ruyter van Steveninck

2017 ◽  
Author(s):  
Ghaith Tarawneh ◽  
Vivek Nityananda ◽  
Ronny Rosner ◽  
Steven Errington ◽  
William Herbert ◽  
...  

AbstractRecently, we showed a novel property of the Hassenstein-Reichardt detector: namely, that insect motion detection can be masked by “invisible” noise, i.e. visual noise presented at spatial frequencies to which the animals do not respond when presented as a signal. While this study compared the effect of noise on human and insect motion perception, it used different ways of quantifying masking in two species. This was because the human studies measured contrast thresholds, which were too time-consuming to acquire in the insect given the large number of stimulus parameters examined. Here, we run longer experiments in which we obtained contrast thresholds at just two signal and two noise frequencies. We examine the increase in threshold produced by noise at either the same frequency as the signal, or a different frequency. We do this in both humans and praying mantises (Sphodromantis lineola), enabling us to compare these species directly in the same paradigm. Our results confirm our earlier finding: whereas in humans, visual noise masks much more effectively when presented at the signal spatial frequency, in insects, noise is roughly equivalently effective whether presented at the same frequency or a lower frequency. In both species, visual noise presented at a higher spatial frequency is a less effective mask.Summary StatementWe here show that despite having similar motion detection systems, insects and humans differ in the effect of low and high spatial frequency noise on their contrast thresholds.


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