Book Review: Susan G. Figge and Jennifer K. Ward (eds): Reworking the German Past: Adaptations in Film, the Arts and Popular Culture

2012 ◽  
Vol 42 (1) ◽  
pp. 115-116
Author(s):  
Gundula Sharman
Keyword(s):  
2018 ◽  
Vol 57 (3) ◽  
pp. 226
Author(s):  
Edward Whatley

For a country that prides itself on the freedoms it bestows on its citizens, the United States has a surprisingly extensive history of censorship. As Patricia L. Dooley’s Freedom of Speech: Reflections in Art and Popular Culture demonstrates, the arts and pop culture have long been favored targets of censors. Sometimes the censors are private citizens or organizations acting as self-appointed guardians of morality. More ominously, they sometimes are government entities intent on controlling the dissemination and consumption of creative products.


2019 ◽  
Vol 58 (3) ◽  
pp. 193
Author(s):  
Garrett B. Trott

Wendell G. Johnson, editor of End of Days: An Encyclopedia of the Apocalypse in World Religion (EOD), provides an excellent collection of essays related to various eschatological (study of the end of times) views. The purpose of EOD is fourfold: to provide readers with an overview of apocalyptic themes; to place popular apocalyptic motifs within their appropriate historical context; to enable a more complete appreciation and understanding of the presence of apocalyptic material in popular culture, literature, and the arts; and to present information in a single volume that will serve researchers in a variety of contexts (xii–xiii). Through the contributors of this work, Johnson exceeds these goals and provides a superb resource that will be a welcome addition to any library collection.


2016 ◽  
Vol 6 (2) ◽  
pp. 386-389
Author(s):  
Eduardo Oliveira

Evinç Doğan (2016). Image of Istanbul, Impact of ECoC 2010 on The City Image. London: Transnational Press London. [222 pp, RRP: £18.75, ISBN: 978-1-910781-22-7]The idea of discovering or creating a form of uniqueness to differentiate a place from others is clearly attractive. In this regard, and in line with Ashworth (2009), three urban planning instruments are widely used throughout the world as a means of boosting a city’s image: (i) personality association - where places associate themselves with a named individual from history, literature, the arts, politics, entertainment, sport or even mythology; (ii) the visual qualities of buildings and urban design, which include flagship building, signature urban design and even signature districts and (iii) event hallmarking - where places organize events, usually cultural (e.g., European Capital of Culture, henceforth referred to as ECoC) or sporting (e.g., the Olympic Games), in order to obtain worldwide recognition. 


2017 ◽  
Vol 20 (5) ◽  
pp. 625-636
Author(s):  
Josep M. Armengol
Keyword(s):  

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