This paper uses the findings of an investigation into the
/r/patientgamers subreddit to account for the ways that our leisure time and our play have
been assimilated by the logics of neoliberal, late capitalism. I do this by tracing classed
experiences of slowness as experienced by video game players. The figure of the patientgamer
was selected not just because of their protracted approach to video game consumption, but
because the grows out of a frustration with the financial and temporal costs to access
leisure. Through Foucauldian discourse analysis, two major themes were detected across a
number of posts which traced how many players tried, and often failed, to slow down their
lives in restful ways through their play and the conversations that emerged from the impulse
to treat their leisure time as work. Specifically, users’ nostalgia for their childhoods and
their anxieties around possessing a video game backlog are both emblematic of the way that
video game play has been made legible to capitalist logics such that any distinction between
labour and leisure becomes moot and attempt to lift from the patientgamer ethos some
potential ways that the work of play may be reframed to undercut logics of efficiency and
productivity. The case study of /r/patientgamers holds relevance not just for the study of
games and/as culture, but of how technocapitalism instrumentalizes all leisure and the
consequences felt by those who try to slow their rhythms of consumption but do so without
proper attention to issues of class and power.
NOSTALGIA AND THE BACKLOG: /R/PATIENTGAMERS AND THE TRANSACTIONAL NATURE
OF LEISURE
