Book review: David Kettler, Colin Loader and Volker Meja, Karl Mannheim and the legacy of Max Weber: Retrieving a research programme. Aldershot: Asgate, 2008. 212 pp. ISBN 978—0—7546—7224—1 (hbk)

2010 ◽  
Vol 10 (4) ◽  
pp. 485-488
Author(s):  
Henk A. Becker
Keyword(s):  
Max Weber ◽  
Research Programme ◽  
Karl Mannheim

Book Review: Karl Mannheim and the Legacy of Max Weber: Retrieving a Research Programme

2009 ◽  
Vol 38 (6) ◽  
pp. 606-607
Author(s):  
Jason Houle ◽  
Breandan Jennings ◽  
G. W. F. Meyer ◽  
Pat Rafail ◽  
Richard Simon
Keyword(s):  
Max Weber ◽  
Research Programme ◽  
Karl Mannheim

Béla Balázs: The Face of Cinema

October ◽  
2014 ◽  
Vol 148 ◽  
pp. 53-62 ◽  
Author(s):  
Noël Carroll
Keyword(s):  
Walter Benjamin ◽  
Max Weber ◽  
Bela Bartok ◽  
Georg Simmel ◽  
Zoltan Kodaly ◽  
Karl Mannheim ◽  
Sergei Eisenstein ◽  
Michael Curtiz ◽  
The Face ◽  
Gyorgy Lukacs

Herbert Bauer, known to the world as Béla Balázs (1894–1949), led the sort of life about which contemporary intellectuals might fantasize. He knew everyone and he did everything. Born in Hungary, he included György Lukács, Karl Mannheim, Arnold Hauser, Béla Bartók, and Zoltán Kodály in his circle, among others. He knew the filmmakers Alexander Korda and Michael Curtiz before their names were Anglicized. He studied with Georg Simmel and met Max Weber. As time went on, he came, so it seems, to know virtually every major European intellectual—Stefan Zweig, Robert Musil, Walter Benjamin, Sergei Eisenstein, Erwin Piscator, and on and on. He lived in the midst of a universe of conversation that dazzles us as we look back enviously upon it.

Karl Mannheim and the Legacy of Max Weber

2016 ◽  
Author(s):  
David Kettler ◽  
Colin Loader
Keyword(s):  
Max Weber ◽  
Karl Mannheim
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