Holidaying with Late-Victorian Theatrical Celebrities: Rest, Wellbeing and Public Identity

‘In the Theatrical World our talk is all of holidays.’ So opened one of Hearth and Home magazine’s gossip columns in July 1897. The holidays taken by London’s late-Victorian West End theatre stars attracted regular press coverage and formed a regular subject of letters between actresses, actors and their friends. The narratives of hard work and public service that had played a significant role in improvements in the theatre industry’s reputational and cultural status prompted a secondary narrative around rest: a widely shared understanding that rest was necessary to counter the impacts of the ongoing on- and off-stage labour undertaken by stage stars. Together newspaper accounts and correspondence capture both industry-focused concerns about the maintenance of the strong physical and mental health required to sustain a theatrical career and social disquiet around the changing world of work more widely and patterns of overwork and exhaustion. In this essay I consider a range of press accounts and correspondence to consider how evidence of stage stars’ holidays can extend our understandings of the professional culture of the late-Victorian theatre industry and theatre’s contribution to wider social and political ideas surrounding work and rest, and physical and mental health.