Book Reviews

2001 ◽  
Vol 10 (3) ◽  
pp. 421-430

Book reviews: Adam, Barbara, Ulrich Beck and Joost van Loon (eds), The Risk Society and Beyond: Critical Issues for Social Theory (reviewed by Charlotte Augst); Mansell, Wade, Belinda Meteyard and Alan Thompson, A Critical Introduction to Law (reviewed by Ralph Sandland); Rowe, Michael, The Racialisation of Disorder in Twentieth Century Britain (reviewed by Preet Nijhar); Boland, Faye, Anglo-American Insanity Defence Reform: The War Between Law and Medicine (reviewed by Victor Tadros); Kauzlarich, David and Ronald C Kramer, Crimes of the American Nuclear State at Home and Abroad (reviewed by Roger S. Clark); Lippens, Ronnie, Chaohybrids: Five Uneasy Peaces (reviewed by Bruce A. Arrigo); Basu, Srimati, She Comes to Take Her Rights: Indian Women, Property and Propriety (reviewed by Saira Rahman)

Author(s):  
Barbara Adam ◽  
Ulrich Beck ◽  
Joost van Loon

2019 ◽  
Vol 12 (1) ◽  
pp. 47-61
Author(s):  
Stacy Ann Creech

From pre-Columbian times through to the twentieth century, Dominican children's literature has struggled to define itself due to pressures from outside forces such as imperialism and colonialism. This paper examines the socio-political contexts within Dominican history that determined the kind of literature available to children, which almost exclusively depicted a specific construction of indigeneity, European or Anglo-American characters and settings, in an effort to efface the country's African roots. After the Educational Reform of 1993 was instituted, however, there has been a promising change in the field, as Dominican writers are engaged in producing literature for young people that includes more accurate representations of Blackness and multiculturalism.


2010 ◽  
Vol 5 (2) ◽  
pp. 181-194
Author(s):  
Marjorie Perloff

This essay offers a critical re-assessment of Hugh Kenner's The Pound Era. It argues that Kenner's magisterial survey remains important to our understanding of Modernism, despite its frankly partisan viewpoint. Kenner's is an insider's account of the Anglo-American Modernist writing that he takes to have been significant because it sought to invent a new language consonant with the ethos of the twentieth century. The essay suggests that Kenner's impeccable attention to the Modernist renovation of language goes beyond formalism, since, for him, its ‘patterned energies’ (a term derived from Buckminster Fuller's theory of knots) relate Modernism to the larger complex of artefacts within which it functions and, beyond these, to what he takes to be the great works of the past and to the scientific-technological inventions of the present. But the essay also points out that Kenner's is an eccentric canon, which makes no room for Forster, Frost, Lawrence, or Stevens. Furthermore, Kenner's emphasis on the First World War as a great cultural rupture, while plausible, works less well for Joyce and Williams than it does for Pound and Eliot.


2000 ◽  
Vol 111 (11) ◽  
pp. 390-391
Author(s):  
J. Gwynfor Jones
Keyword(s):  

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