Don't Deny My Name: Words and Music and the Black Intellectual Tradition; Black Heart: The Moral Life of Recent African American Letters

2009 ◽  
Vol 81 (3) ◽  
pp. 630-632
Author(s):  
J. R. Giles
2021 ◽  
pp. 147488512110387
Author(s):  
Adom Getachew

This review essay surveys the contributions of the new edited volume African American Political Thought: A Collected History. The thinker-based approach to the study of African American political thought advanced in the volume highlights the ways in which thinkers reformulate the central political questions of the intellectual tradition and constitute the canon through the citation and invocation of earlier figures. It also draws attention to the rhetorical, strategic, and tactical dimensions of their political thought. The volume sets a new standard for study of African American political thought and makes a persuasive case for the tradition’s important contributions to political theory broadly. However, by tying its significance too closely to its interventions within American political thought, the volume inadvertently minimizes the global resonances of African American political thought.


2020 ◽  
Author(s):  
Ree Botts ◽  
Osceola Ward

a wake work for 2020: on meeting black grief with tenderness is a call into grief for communities of Black folks working to survive Quarantine 2020. We meditate on what wake work looks and feels like in this particular season of Black suffering, as we grapple with the weight of quotidian Black death and the possibilities for the restoration of sacred Black lives. Using a methodology of reflexive poetics, we paint portraits of intimate ontology, inner worlds, and unraveling. We use repetition as a tool for deep emphasis, and write in and out of I and We statements to illustrate the multitude of voices present within this text - the collective love of we, the individual I, the communal fight of us, and the sacred oneness of Spirit. We work to reimagine our relationship with reading, writing and words in order to reject performative notions of intellect that often divorce us from the intimacy so necessary for engagement with the Black intellectual tradition, particularly the subsets of our tradition that center our imaginaries of fugitivity beyond suffering. We acknowledge that, in order to write care into the wake, we must first center language that makes space for our affective experiences. By refusing the gaze of academia and reclaiming our intimacy to education beyond the project of schooling, we free ourselves up to write creatively, illegibly, and in dissonance. In fact, we see our writing as a fugitive practice in and of itself, one that allows us to reclaim our voices to map out new sites of marronage where we might nestle ourselves up into alternative scapes of freedom.


2019 ◽  
Vol 13 (3) ◽  
pp. 253-269
Author(s):  
Justine Baillie

Abstract As novelist, academic, and public intellectual Toni Morrison has made a profound contribution to the transformation of the black intellectual and political aesthetic. In many ways Morrison’s literary and theoretical formulations represent the feminization of black writing traditions through her representations of identity as being fluid and socially constructed. Her novels transform memory into alternative narratives of recovery that illuminate obscured histories of slavery, migration and urbanisation. This project constitutes a rich legacy for a new generation of writers who, working within a global nexus, interrogate the racial economics of trauma, dislocation and exile in ways that dissolve the distinctions between African American, colonial, and postcolonial studies. The introduction to this special issue highlights the transnational scope of Morrison’s work, with a particular focus on her non-fiction.


Author(s):  
Ulf Schulenberg

This chapter places Baldwin within a larger intellectual tradition of both Western political philosophy and the African American intersections with(in) it. Ulf Schulenberg’s work then narrows its focus to develop and trace Baldwin’s humanism, a humanism that argues for individual responsibility in a democratic society. Schulenberg’s essay challenges public-private dichotomies, drawing off of Baldwin’s collapsing of the interior and exterior lives, and ultimately brings to discussion Baldwin’s view of the potential of democracy should individuals all recognize their collective and individual responsibilities.


Author(s):  
Charles S. Johnson

Editors’ Note: In our second literary selection—excerpts from Charles S. Johnson’s 1923 essay “Illinois: Mecca of the Migrant Mob”—the famed sociologist renders a broad-stroke account of consolidation and growth of the Black Metropolis. This essay, like many pieces of historical, sociological, and journalistic writing emanating from Chicago contributed to a literature of fact that was characteristic of early African American literary work in the city. While Johnson’s assertions about the paucity of black intellectual and cultural life are challenged throughout the current volume, equally important to note is the stylistic strategy with which he presents his analysis of “this Colored Chicago—the dream city—city of the dreadful night!” His elegant, high-keyed prose employs metaphor and other literary devices and arrays facts with novelistic selectivity and pacing. In this manner, Johnson’s essay looks ahead to a mutually beneficial interpenetration of fiction and sociological writing that would mark many of the most notable works of the Black Chicago Renaissance....


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