Resistance to Song: A Modernist View of Early Modern Lyric

2021 ◽  
Vol 82 (2) ◽  
pp. 177-200
Author(s):  
Charles Altieri

Abstract In Theory of the Lyric Jonathan Culler makes powerful arguments for analogies between lyric and song, especially with regard to each medium’s commitment to producing pleasure and separating the speaking voice from individual psychology. But his case runs the risk of avoiding or oversimplifying lyric poems that resist these analogies. These poems call for interpretive acts that fully engage the work of syntax and structure in establishing distinctive modes of experience. Here Shakespeare’s sonnets demonstrate the roles syntax and structure can play, especially in cultivating complex acts of self-consciousness for which Hegel provides our best critical lens. With this focus, some important roles played by metaphysical conceits also become clear. The conceit forces acts of intense reflection. In the poetry, quintessentially in Donne’s “The Extasie,” there emerges a drama of the agents carrying out distinctive acts of self-interpretation: the fullness of love depends on hearing themselves speak and trying to imagine the objective difference that hearing is making in their behavior toward the other lover.

2008 ◽  
Vol 1 (2) ◽  
pp. 187-199
Author(s):  
KATHRYN WALLS

According to the ‘Individual Psychology’ of Alfred Adler (1870–1937), Freud's contemporary and rival, everyone seeks superiority. But only those who can adapt their aspirations to meet the needs of others find fulfilment. Children who are rejected or pampered are so desperate for superiority that they fail to develop social feeling, and endanger themselves and society. This article argues that Mahy's realistic novels invite Adlerian interpretation. It examines the character of Hero, the elective mute who is the narrator-protagonist of The Other Side of Silence (1995) , in terms of her experience of rejection. The novel as a whole, it is suggested, stresses the destructiveness of the neurotically driven quest for superiority. Turning to Mahy's supernatural romances, the article considers novels that might seem to resist the Adlerian template. Focusing, in particular, on the young female protagonists of The Haunting (1982) and The Changeover (1984), it points to the ways in which their magical power is utilised for the sake of others. It concludes with the suggestion that the triumph of Mahy's protagonists lies not so much in their generally celebrated ‘empowerment’, as in their transcendence of the goal of superiority for its own sake.


Author(s):  
Antonio Urquízar-Herrera

This book offers the first systematic analysis of the cultural and religious appropriation of Andalusian architecture by Spanish historians during the sixteenth and seventeenth centuries. Early Modern Spain was left with a significant Islamic heritage: Córdoba Mosque had been turned into a cathedral, in Seville the Aljama Mosque’s minaret was transformed into a Christian bell tower, and Granada Alhambra had become a Renaissance palace. To date this process of Christian appropriation has frequently been discussed as a phenomenon of hybridisation. However, during that period the construction of a Spanish national identity became a key focus of historical discourse. The aforementioned cultural hybridity encountered partial opposition from those seeking to establish cultural and religious homogeneity. The Iberian Peninsula’s Islamic past became a major concern and historical writing served as the site for a complex negotiation of identity. Historians and antiquarians used a range of strategies to re-appropriate the meaning of medieval Islamic heritage as befitted the new identity of Spain as a Catholic monarchy and empire. On one hand, the monuments’ Islamic origin was subjected to historical revisions and re-identified as Roman or Phoenician. On the other hand, religious forgeries were invented that staked claims for buildings and cities having been founded by Christians prior to the arrival of the Muslims in Spain. Islamic stones were used as core evidence in debates shaping the early development of archaeology, and they also became the centre of a historical controversy about the origin of Spain as a nation and its ecclesiastical history.


Slavic Review ◽  
2017 ◽  
Vol 76 (1) ◽  
pp. 98-121 ◽  
Author(s):  
Maria Ivanova ◽  
Michelle R. Viise

The most well-known practitioner of dissimulation among early modern Christians of the Eastern Rite is Meletii Smotryts'kyi (ca. 1577–1633), the Orthodox archbishop of Polatsk (in modern-day Belarus), who was suspected of being a Uniate for several years before he was openly charged with apostasy during a council of the Orthodox hierarchy of Poland-Lithuania in August of 1628. For the previous year Smotryts'kyi had lived a double life, outwardly an Orthodox archbishop but secretly a Uniate, having formally accepted the Union with Rome on July 6, 1627. In this period of clandestine Uniatism and the years leading up to it, during which he flirted with conversion, Smotryts'kyi fulfilled his official duties, playing a leading role in Orthodox synods and risking exposure that would bring public disgrace and even physical harm. Smotryts'kyi had a positive reason for keeping his conversion secret: he argued that the Congregation of the Holy Office of the Inquisition should allow him to remain in office as an Orthodox bishop so that he might convene a council of the Orthodox hierarchy and elite and, “received as a schismatic [an Orthodox], would be able to set forth and to explain the twofold causes of the present discord of the Church & and to cause doubt for them in the schismatic faith (through the reasons that had taught him himself that there was no contradiction in thing [essence], only in words, between the holy Greek and Latin fathers).” Smotryts'kyi concluded his request for secrecy by comparing his situation with that of Jesuits engaged in mission work with non-Christians: “Wherefore, indeed, if the fathers of the Society of Jesus and the other priests in India can live with the heathens in secular habit, this should cause no one scandal, especially since, with God’s help, we will hope for the much greater fruit of holy Union from his hidden Catholicism & than if he were now known by all.”


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