Stuart Hall’s Desert Island Discs

2021 ◽  
pp. 315-329
Keyword(s):  
2018 ◽  
Vol 12 (2) ◽  
pp. 252-267
Author(s):  
Kuniichi Uno

For Gilles Deleuze's two essays ‘Causes and Reasons of Desert Islands’ and ‘Michel Tournier and the World Without Others’, the crucial question is what the perception is, what its fundamental conditions are. A desert island can be a place to experiment on this question. The types of perception are described in many critical works about the history of art and aesthetical reflections by artists. So I will try to retrace some types of perception especially linked to the ‘haptic’, the importance of which was rediscovered by Deleuze. The ‘haptic’ proposes a type of perception not linked to space, but to time in its aspects of genesis. And something incorporeal has to intervene in a very original stage of perception and of perception of time. Thus we will be able to capture some links between the fundamental aspects of perception and time in its ‘out of joint’ aspects (Aion).


Author(s):  
Laurie Cohen ◽  
Joanne Duberley

Laurie Cohen and Joanne Duberley describe their use of an unconventional data source—a radio programme—to study celebrity careers. This source also includes music, which evokes memories, and elicits emotions not readily captured in conventional interviews. They used the archives of the BBC Radio 4 programme Desert Island Discs to study the careers of well-known research scientists. The programme’s format has been consistent over its 70-year history; ‘castaways’ from all walks of life are interviewed about their careers and are asked to select eight pieces of music, which reveal many other aspects of their lives. This research focused on the relationships between work and life course, the notion of career as performance, and the role of emotion in the narration of career. Desert Island Discs is part of an extensive archive. As time and funding for research are tight, rapid no-cost access to such data is valuable.


2017 ◽  
Vol 64 (2) ◽  
pp. 220-238
Author(s):  
Ivana Petrovic ◽  
Andrej Petrovic

If you still haven't chosen a book to take with to the desert island, I have a suggestion: L'encyclopédie du ciel. At 1,202 pages, it will keep you occupied day and night: what you read as text by day will help you read by night in the sky. This wonderful and extremely useful book is as difficult to classify as it is to put down. Essentially, it is a compendium of Greco-Roman discourse on the stars and planets, divided into three parts. The first (‘Les images: histoire et mythologie: voir et raconter’) is about the constellations and the planets. It opens with a catalogue in which each constellation is illustrated, explained, and accompanied with appropriate quotations from Eratosthenes’ Catasterismoi and Hyginus’ Astronomica. There follow essays about the names of the constellations, on the Sun, Moon, and the planets, and one on Greek and Roman creation myths. All are accompanied by long passages of appropriate Greek and Latin texts in translation. The second part of the book (‘Les lois: l'astronomie: observer et calculer’) is about the ancient attempts to make sense of and explain the stars and planets as a system, about calendars, and about ancient astronomical instruments and objects. This part of the book also contains a complete translation of Hipparchus’ Commentary on the Phaenomena of Eudoxus and Aratus. It closes with an account of Greek star catalogues. The third part of the book is concerned with various attempts to interpret the celestial phenomena (‘Les messages: signes et influence: interpréter et prédire’). It includes, but is not restricted to, astrology; philosophical ideas are also discussed, such as astral apotheosis, the ascent of the soul through the sky, and the music of the spheres. There is a dictionary of astronomical and astrological terms and a dictionary of ancient astronomers and authors dealing with astronomy. The book closes with parallel star catalogues of Eratosthenes, Hipparchus, and Ptolemy.


2011 ◽  
Vol 13 (2) ◽  
pp. 152-154
Author(s):  
A. Hudgins
Keyword(s):  

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