Hegel and the French Revolution. Essays on the "Philosophy of Right" (review)

1984 ◽  
Vol 22 (4) ◽  
pp. 493-494
Author(s):  
Kenneth L Schmitz
Author(s):  
Christiane Bender

2020 was the year of the 250th anniversary of G. W. F. Hegel, his friend Friedrich Hölderlin and Ludwig van Beethoven. Due to the coronavirus pandemic, there were not many options to commemorate publicly their outstanding legacy. We should rectify this as soon as possible! The French Revolution was the significant historical event of this generation, and Hegel, Hölderlin and Beethoven kept true to the idea of liberty lifelong. In an early contribution Joachim Ritter underlined the importance of the French Revolution for the elaboration of Hegel’s philosophy. As „a philosopher of liberty“ Hegel is described by Klaus Vieweg in his new biography. Is this also true for Hegel’s „Elements of the Philosophy of Right” and his understanding of state and society? What does his notion of liberty mean in this context? Can we learn from Hegel’s argumentation regarding problems we face today in our society? It will be the aim of this article to give some answers to these questions.


2021 ◽  
pp. 144-159
Author(s):  
Oxana Timofeeva

The chapter approaches Hegel’s idea of reconciliation with reality, focusing on the figure of enjoyment presented in the Preface to the Elements of the Philosophy of Right and the voice of reason as the source of an insight that elevates reason to the peak of enjoyment. The voice is theorized as what connects Hegel’s imperative of the enjoyment of reason with two other imperatives—the Kantian imperative of reason and the Sadean imperative of enjoyment. Hegel’s absolute freedom is interpreted as the form of consciousness where the opposites of Kant and Sade, i.e., moral and immoral, reason and enjoyment, intertwine. From this perspective, Hegel’s philosophy of the French Revolution and the revolutionary terror is considered as a turning point between the solitude of consciousness and the ethical community, or the “we” that creates a utopian horizon within the post-apocalyptic political-theological situation of the death of God and the end of the world.


2018 ◽  
Vol 15 (2) ◽  
pp. 207-226
Author(s):  
Maciej Junkiert

This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main approaches are visible in the Polish reception, and I will illustrate them using the works of Zygmunt Krasiński (1812–1859), Juliusz Słowacki (1809–1849) and Cyprian Norwid (1821–1883). My comparative study will be restricted to four works: Krasiński's Irydion and Przedświt (Predawn), Słowacki's Agezylausz (Agesilaus) and Norwid's Quidam.


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