Becoming Americans in Paris: Transatlantic Politics and Culture between the World Wars by Brooke L. Blower, and: Whose Spain? Negotiating “Spanish Music” in Paris, 1908–1929 by Samuel Llano, and: Twilight of the Belle Epoque: The Paris of Picasso, Stravinsky, Proust, Renault, Marie Curie, Gertrude Stein, and Their Friends through the Great War by Mary McAuliffe

2016 ◽  
Vol 26 (2) ◽  
pp. 420-428
Author(s):  
Stephen W. Sawyer
Author(s):  
Renaud Gagné ◽  
For Albert Henrichs

This chapter examines how the historiography of Greek religion renewed itself between 1920 and 1950. This period invested a great deal of effort in the answers that could be sought from the celebrated old sources. As the former certainties were battered from all sides, the revered voices from the past often resonated with the intensity of a battle call for renewal. Greek religion, one of the most contested domains in the reception of ancient culture, was to be solicited again and again to help imagine a new future. The chapter then considers the great changes that saw the Belle Époque study of ancient religion thoroughly transformed after the Great War, and the stakes of some of the fundamental disagreements that set influential scholars of the Interwar years against each other. Ultimately, the battle for the Greek Irrational was a search for the new foundations of modernity.


1992 ◽  
Vol 52 (4) ◽  
pp. 907-936 ◽  
Author(s):  
Alan M. Taylor

Once one of the richest countries in the world, Argentina has been in relative economic decline for most of the twentieth century. The quantitative records of income growth and accumulation date the onset of the retardation to around the time of the Great War, and patterns of aggregate saving and foreign borrowing show that scarcity of investable resources significantly frustrated interwar development. A demographic model of national saving demonstrates that the burdens of rapid population growth and substantial immigration depressed Argentine saving, contributing significantly to the demise of the Belle Époque following the wartime collapse of international financial markets.


2020 ◽  
Vol 30 ◽  
pp. 119-140
Author(s):  
Jay Winter

AbstractThis paper analyses the phenomenon of historical reenactment of Great War battles as an effort to create what is termed ‘living history’. Thousands of people all over the world have participated in such reenactments, and their number increased significantly during the period surrounding the centenary of the outbreak of the Great War. Through a comparison with representations of war in historical writing, in museums and in the performing arts, I examine the claim of reenactors that they can enter into historical experience. I criticise this claim, and show how distant it is from those who do not claim to relive history but (more modestly) to represent it. In their search for ‘living history’, reenactors make two major errors. They strip war of its political content, and they sanitise and trivialise combat.


Author(s):  
Michael Zeitlin

The story's poetic vision of a young man who sees a horse has often been associated with Faulkner's personal privacy, a mysterious and opaque realm that Faulkner criticism has long attempted to penetrate. In this chapter,Michael Zeitlin reads the story's representation of privacy and poetic subjectivity as an "ideological reflex and echo," in Marx's phrase, of material and economic realities dominated by the Standard Oil Company.A young vagrant, a veteran aviator of the Great War, lies in his garret and dreams of "a buckskin pony with eyes like blue electricity and a mane like tangled fire, galloping up the hill and right off into the high heaven of the world."The Pegasus pony, the knight-aviator, the dream of soaring free from earth toward apotheosis-these motifs from Faulkner circa 1918-1927 all promise a transcendence that never fully arrives, ultimately yielding to the exigencies of the mundane, the immanent, the economic:earthbound labor, earthbound energy, earthbound modernity.


Sign in / Sign up

Export Citation Format

Share Document