The Angelic Mother and the Predatory Seductress: Poor White Women in Southern Literature of the Great Depression by Ashley Craig Lancaster

2015 ◽  
Vol 61 (1) ◽  
pp. 198-200
Author(s):  
Michael Wainwright
Author(s):  
Erik Bledsoe

This chapter discusses the emergence of a new generation of southern writers who are giving voice to a different group of southerners, forcing their readers to reexamine long-held stereotypes and beliefs while challenging the literary roles traditionally assigned poor whites. According to Linda Tate, “traditionally, southern literature has been understood to be that written by white men and, on rare occasions, by white women—and, in almost all cases, by and about white southerners of the upper middle class.” This chapter looks at three new voices who write about the Rough South and the southern poor whites from within the class: Dorothy Allison, Larry Brown, and Timothy Reese McLaurin. The term “Rough South” refers to as the world of the redneck or white trash. The terms “redneck,” “white trash,” “cracker,” and “poor white” have all been used to describe certain white southerners.


Author(s):  
Sarah Robertson

After briefly outlining the work of the Farm Security Administration (FSA) photographers and writers during the Great Depression, the chapter turns to rephotography projects, namely that of Dale Maharidge and Michael Williamson, to explore the FSA’s legacy. The chapter interrogates the relationship and tension between aesthetics and activism as it examines several contemporary photo-narratives focused on Appalachia. In addition to critically discussing the work of Appalshop, it questions the representation of the poor in photo-narratives by, amongst others, Shelby Lee Adams, Tim Barnwell and Susan Lipper. The chapter focuses on questions of counter-visuality as it presents contemporary life-writing by writers such as Dorothy Allison, Rick Bragg, Barbara Robinette Moss and Janisse Ray, as a vehicle for producing counter-visual legacies.


Author(s):  
Robert Wuthnow

For many Americans, the Middle West is a vast unknown. This book sets out to rectify this. It shows how the region has undergone extraordinary social transformations over the past half-century and proven itself surprisingly resilient in the face of such hardships as the Great Depression and the movement of residents to other parts of the country. It examines the heartland's reinvention throughout the decades and traces the social and economic factors that have helped it to survive and prosper. The book points to the critical strength of the region's social institutions established between 1870 and 1950—the market towns, farmsteads, one-room schoolhouses, townships, rural cooperatives, and manufacturing centers that have adapted with the changing times. It focuses on farmers' struggles to recover from the Great Depression well into the 1950s, the cultural redefinition and modernization of the region's image that occurred during the 1950s and 1960s, the growth of secondary and higher education, the decline of small towns, the redeployment of agribusiness, and the rapid expansion of edge cities. Drawing arguments from extensive interviews and evidence from the towns and counties of the Midwest, the book provides a unique perspective as both an objective observer and someone who grew up there. It offers an accessible look at the humble yet strong foundations that have allowed the region to endure undiminished.


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