Copyright and the Right to Copy

1975 ◽  
Vol 14 (2) ◽  
pp. A40
Author(s):  
Richard R. Lingeman
Keyword(s):  
Author(s):  
L. Bently ◽  
B. Sherman ◽  
D. Gangjee ◽  
P. Johnson

This chapter is about the rights conferred by the law on copyright owners, and the scope of what determines the types of activity that amounts to copyright infringement. It begins by considering the right to copy the work, focusing on the issue of reproduction with respect to literary, dramatic, musical, and artistic works as well as films, sound recordings, broadcasts, and typographical arrangements. It then looks at other rights granted to copyright owners, including distribution right; the right to rent and lend copies of the work; the right to perform the work in public; and the right to make an adaptation of the work.


2021 ◽  
Vol 5 (1) ◽  
pp. 49
Author(s):  
Muchtar A H Labetubun

Copyright as an exclusive right for the creator or copyright holder to carry out the results of his ideas or ideas in the form of specific information or certain. Basically, copyright is the right to copy, adapt or produce a work, copyright is possible for the right holder to limit the copying or in any form without the illegitimate permission of a work, it can be realized by registration copyright, in its application, of course, there are obstacles that exist in the enforcement of copyright law itself. One example is the lack of awareness in registration copyright of songs by the creator. The research objective was to determine and analyze the legal awareness of regional pop songwriters to register their copyright. The research method uses normative research through a conceptual approach and a statue approach. The results show that the composers of regional pop songs know the importance of recording copyright because it is in accordance with the mandate of Act No. 28 of 2014 concerning Copyright and has also participated in the socialization carried out by the Ministry of Law and Human Rights, but songwriters do not record their work. Some songwriters consider that the registration is of no use because, from an economic standpoint, they cannot profit or lose personally, besides that their aspirations have not been fully channeled by the related institutions they shelter in this case the Collective Management Institute. Therefore to decide on the sale of the song's copyrighted work rather than registering it to the Ministry of Law and Human Rights in the Field of Intellectual Property.


Author(s):  
S. V. Yunoshev ◽  
◽  
M. Yu. Zhirova ◽  

The paper considers the issue of the improvement of the defender’s procedural status in the current criminal procedure. The authors analyze the respective statements of the Statute of Criminal Procedure of 1864. The study states that one of the significant results of the Great judicial reform of Emperor Alexander II was the introduction of professional advocacy. However, the defender’s status established by the Statute distinguished itself by the unprecedented development, vesting a defender with powers absent in the previous legislation. The paper analyzes the particular procedural powers of a defender concerning an optimal model of their regulation. The study shows that, in general, the statements of the RF Code Criminal Procedure have moved so far forward compared to the similar Statute statements, especially concerning the access of a defender to the stage of a pre-trial investigation. However, it appears that to solve many problematic aspects of the current status of a defender, the experience of corresponding procedural regulation in the Statute can be a target to improve this status. In particular, the authors focus on the fact that, according to the Statute norms, a defender was less limited in the right to copy data and the materials of a criminal case. The study substantiates that a defender in the pre-revolutionary period had much more opportunities to offer evidence to a court; particularly, it concerned the proof of witness. According to the Statute statements, the parties were procedurally equal in the right to refer to special knowledge, which is absent in the current criminal procedure. The paper states that at the moment, the defender’s right to gather evidence has some significant gaps and limitations compared to the similar right during the term of the Statute.


2008 ◽  
Vol 1 ◽  
Author(s):  
Madeline Ashby

This essay examines three Japanese anime texts—Ghost in the Shell, Neon Genesis Evangelion, and Serial Experiments: Lain—in order to discover metaphors for female fan practices online. In each of the three texts, women overthrow corporate, governmental, or paternal control over the body and gain the right to copy or reproduce it by fundamentally altering those bodies. These gestures are expressions of posthuman anxiety and "terminal identity." In addition, they involve confrontation with an uncanny double in some way. But how can they provide models for cyborg and fan subjectivity in an era in which bodily and textual reproduction, especially among females, is such a hotly contested issue? And how is the antifanfic backlash related to the phenomenon of the uncanny?


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