scholarly journals Os perfis femininos nas narrativas de Clodoaldo Freitas

2019 ◽  
Vol 32 (1) ◽  
pp. 431-450
Author(s):  
Cleanne Nayara Galiza Colaço ◽  
Fabiana dos Santos Sousa
Keyword(s):  
Nineteenth Century ◽  
Female Characters ◽  
The Feminine ◽  
Xix Century

O artigo apresenta um estudo das obras Coisas da Vida, Os Barretos, A besta humana e Mãe dolorosa, de Clodoaldo Freitas, com ênfase na análise das personagens femininas. Com isso, busca-se traçar os perfis femininos presentes em tais obras e notar a punição sofrida por aquelas que transgrediram os padrões da sociedade do século XIX. PALAVRAS-CHAVE: Perfis femininos. Transgressão. Século XIX. Punição.   ABSTRACT The article presents a study of the works Things in life, The Barretos, The human beast and The mother in pain, by Clodoaldo Freitas, with emphasis on the analysis of female characters. With this, it sought to trace the feminine profiles present in such works and to note the punishment suffered by those who have transgressed the standards of nineteenth-century society. KEYWORDS: Female profiles. Transgression. XIX century. Punishment.

Disruptions of the Local, Eruptions of the Feminine: Local Reportage and National Anxieties in Egypt’s 1890s

2018 ◽  
Author(s):  
Marilyn Booth
Keyword(s):  
Nineteenth Century ◽  
Gender Roles ◽  
Late Nineteenth Century ◽  
Female Images ◽  
The Feminine ◽  
Late Nineteenth ◽  
Advocacy Role ◽  
Representations Of Women ◽  
Gendered Expectations

This chapter demonstrates that inscriptions of female images in Cairo’s late nineteenth-century nationalist press were part of a discursive economy shaping debates on how gender roles and gendered expectations should shift as Egyptians struggled for independence. The chapter investigates content and placement of ‘news from the street’ in al-Mu’ayyad in the 1890s, examining how these terse local reports – equivalent to faits divers in the French press – contributed to the construction of an ideal national political trajectory with representations of women serving as the primary example in shaping a politics of newspaper intervention on the national scene. In this, an emerging advocacy role of newspaper correspondents makes the newspaper a mediator in the construction of activist reader-citizens.

scholarly journals «GERMAN GRAMMAR» BY JACOB GRIMM AND SCHOOL GERMAN GRAMMAR BOOKS IN THE NINETEENTH-CENTURY GERMANY

2020 ◽  
Vol 23 (4) ◽  
pp. 121-127
Author(s):  
Oleg V. Lukin ◽  
Keyword(s):  
Nineteenth Century ◽  
Secondary Schools ◽  
Native Language ◽  
German Language ◽  
Linguistic Research ◽  
Scientific Approach ◽  
The Matrix ◽  
History Of Linguistics ◽  
History Of ◽  
Xix Century

The article is devoted to the place of J. Grimm's «German grammar» among school German grammar books of the XIX century Germany. The work that appeared at the beginning of the century opened a new page in the history of linguistics – the development of comparative historical language study and the formation of linguistics as a science. The paper provides information on some of the most important German grammar textbooks in Germany of the XIX century, used in secondary schools. They were grammar books by J. Ch. Gottsched, J. Ch. Adelung, J. Ch. A. Heyse, J. G. Radlof, S. G. A. Herling, F. J. Schmitthenner, M. W. Götzinger, etc. The author of the article compares J. Grimm's «German grammar» with the above-mentioned grammar works of that time and puts forward a hypothesis that in the XIX century Germany there appeared an opposition between scientific approach to grammar and that of school grammar books, which, according to the author, reflects dramatically different goals set by both sides. Unlike school textbooks which task is to consistently initiate students into the system of their native language, often on the basis of the matrix created by Alexandrian grammarians, scientific grammar is based on the results of linguistic research and seeks to answer questions about language phenomena. J. Grimm rejected any normative grammar based on logics, that resulting in the aversion on the part of the pedagogical community. Nevertheless, the publication of «German grammar» resulted in appearance of German language textbooks the writers of which tried to build their work on the basis of Grimm’s work, thereby contributing to the popularization of the ideas of the great linguist both among the pedagogical community and the students (A. F. H. Vilmar and K. A. J. Hoffmann).

scholarly journals Maïssa Bey : romancière de l’agentivité de femmes Entre réécriture de l’Histoire et invention de soi

Il Tolomeo ◽  
2020 ◽  
Author(s):  
Lila Lamrous
Keyword(s):  
Literary Tradition ◽  
Point Of View ◽  
The Novel ◽  
Female Characters ◽  
Patriarchal Society ◽  
The Feminine ◽  
The Right

The study of Maïssa Bey’s novel Surtout ne te retourne pas allows to examine how the Francophone novel represents an earthquake as a poetic, metaphorical and political shockwave. The novel is part of a literary tradition but also shows the singularity of the writing and the engagement of the Algerian novelist Maïssa Bey. It allows to examine the feminine agentivity in the context of the disaster camps in Algeria: from the ravaged space/country emerge the voices of women who enter into resistance to improvise, invent their lives and their identities. The earthquake allows them to free themselves, to take a subversive point of view at society and their status as women in an oppressive patriarchal society. The staged female characters arrogate to themselves the right to reread history and take their destiny back.

scholarly journals A PERSONAGEM LOU COMO TRANSGRESSORA DAS NORMAS SOCIAIS IMPOSTAS À MULHER NO SÉCULO XIX EM HUMANA, DEMASIADO, HUMANA

2017 ◽  
Vol 29 (2) ◽  
Author(s):  
Fabiana Dos Santos Sousa
Keyword(s):  
Nineteenth Century ◽  
19Th Century ◽  
Political Power ◽  
Female Characters ◽  
The 19Th Century

Resumo O artigo apresenta um estudo da obra Humana, demasiado, humana, de Luzilá Gonçalves Ferreira, com ênfase na análise das personagens femininas, em especial, Lou Salomé. Busca- se compreender como essas mulheres transgrediram os padrões da sociedade do século XIX, época em que as mulheres estavam excluídas do poder político e educacional pura e simplesmente. Palavras-chave: Mulheres. Transgressora. Lou Andreas Salomé. Luzilá Gonçalves Ferreira. THE CHARACTER OF LOU AS A TRANSGRESSOR OF SOCIAL STANDARDS IMPOSED ON WOMEN IN THE 19TH CENTURY IN HUMAN, TOO, HUMANAbstract The article presents a study of Human, too, human, by Luzilá Gonçalves Ferreira, emphasizing an analysis of female characters, particularly Lou Salome. We seek to understand how these women transgress the standards of the nineteenth century society, when women used to be excluded from political power and educational pure and simply. Keywords: Women. Transgressive. Lou Andreas Salomé. Luzilá Gonçalves Ferreira.

Beyond the Bower

2020 ◽  
pp. 41-60
Author(s):  
Heather Braun
Keyword(s):  
Nineteenth Century ◽  
Women Writers ◽  
Natural World ◽  
Female Characters ◽  
Artistic Production ◽  
Interior Spaces ◽  
Romantic Era ◽  
Definition Of ◽  
Poetic Creation ◽  
Female Poets

Romantic male poets typically describe bowers as lush, ecological spaces for quiet introspection and poetic creation within a distinctly masculinize landscape. In contrast to these idyllic spaces in Nature, the word bower meant something quite different for many nineteenth-century British women writers. For Romantic female poets, these garden bowers were isolated and fragmented spaces where artistic production was inhibited rather than nurtured. Their poems imagine a very different kind of bower, one that is aligned most directly with a second definition of the term: namely, a lady’s apartment in which “embowered” characters are trapped in interior spaces. These barren, claustrophobic bowers offered the antithesis of the freedom and inspiration male poets of the Romantic-era associated with outdoor garden bowers. Poet, essayist, and activist Caroline Norton demonstrates how these artificial domestic prisons produced paralysis and self-division rather than comfort and poetic inspiration. Cut off from the ecological spaces available to their male contemporaries, Norton’s female characters are silenced, distracted, and confined unable to leave their stifling bowers to create space for themselves in the natural world. Many nineteenth-century women writers reconfigured the Romantic garden bower as an unnatural lady’s bower from which female artists must flee in order to create.

Introduction

2021 ◽  
pp. 1-13
Author(s):  
Christopher Grasso
Keyword(s):  
Nineteenth Century ◽  
American Culture ◽  
Adult Males ◽  
Nineteenth Century America ◽  
The Feminine

A through-line in Kelso’s multifaceted life is his commitment to manhood. “Manhood” in nineteenth-century America was about more than the gendered distinctions between the masculine and the feminine. It was what distinguished the human from the beast, and the adult from the child. It had both political and economic characteristics. It demanded that the man take action according to the dictates of conscience. Moreover, there were different dialects of manliness, even among men of the same race, class, ethnicity, and region: competitive or fraternal, passionate or stoic, explosively violent or piously persevering. For Kelso manhood was at once an expectation for all adult males, a quality of character to be developed and expressed, and a prized achievement earned from others. This theme helps us see how aspects of nineteenth-century American culture that might seem worlds apart were in fact experientially connected.

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