Representation of Facial Expressions of Different Ages: A Multidimensional Scaling Study

2021 ◽  
Vol 24 (3) ◽  
pp. 71-80
Author(s):  
Jongwan Kim
1962 ◽  
Vol 63 (6) ◽  
pp. 546-554 ◽  
Author(s):  
Robert P. Abelson ◽  
Vello Sermat

2013 ◽  
Vol 30 (2) ◽  
pp. 161-167 ◽  
Author(s):  
Jamila Leão Leime ◽  
Júlio Rique Neto ◽  
Simone Marin Alves ◽  
Nelson Torro-Alves

The present study evaluated the recognition of facial expressions in different ages, using groups composed of: 1) 21 children with a mean age of 7.7 years; 2) 19 young adults with a mean age of 20.1 years; and 3) 9 elderly people with a mean age of 74.7 years. In the tests, participants were asked to identify facial expressions of happiness, sadness, fear and anger of different emotional intensities. The results indicated that the young adults performed better in recognizing facial expressions when compared to the children and elderly people. The children presented a performance similar to the elderly people, supporting the hypothesis that the ability to recognize facial expressions improves in adulthood and diminishes in old age.


2020 ◽  
pp. 103-140
Author(s):  
Yakov A. Bondarenko ◽  
Galina Ya. Menshikova

Background. The study explores two main processes of perception of facial expression: analytical (perception based on individual facial features) and holistic (holistic and non-additive perception of all features). The relative contribution of each process to facial expression recognition is still an open question. Objective. To identify the role of holistic and analytical mechanisms in the process of facial expression recognition. Methods. A method was developed and tested for studying analytical and holistic processes in the task of evaluating subjective differences of expressions, using composite and inverted facial images. A distinctive feature of the work is the use of a multidimensional scaling method, by which a judgment of the contribution of holistic and analytical processes to the perception of facial expressions is based on the analysis of the subjective space of the similarity of expressions obtained when presenting upright and inverted faces. Results. It was shown, first, that when perceiving upright faces, a characteristic clustering of expressions is observed in the subjective space of similarities of expression, which we interpret as a predominance of holistic processes; second, by inversion of the face, there is a change in the spatial configuration of expressions that may reflect a strengthening of analytical processes; in general, the method of multidimensional scaling has proven its effectiveness in solving the problem of the relation between holistic and analytical processes in recognition of facial expressions. Conclusion. The analysis of subjective spaces of the similarity of emotional faces is productive for the study of the ratio of analytical and holistic processes in the recognition of facial expressions.


2000 ◽  
Vol 90 (1) ◽  
pp. 291-298 ◽  
Author(s):  
Tokihiro Ogawa ◽  
Naoto Suzuki

In our 1999 report, we examined robustness of a two-dimensional structure of facial expressions of emotion under the condition of some perceptual ambiguity, using a stereoscope. The current study aimed to replicate and extend the previous work by adding facial photographs of different persons and by measuring participants' perception of stereoscopically presented faces. Multidimensional scaling provided a two-dimensional configuration of facial expressions comparable with the previous studies. Although binocular rivalry was a less frequent phenomenon, it was suggested that the distances between facial expressions in the derived space were a contributing factor in eliciting binocular rivalry.


Perception ◽  
1997 ◽  
Vol 26 (5) ◽  
pp. 613-626 ◽  
Author(s):  
Mary Katsikitis

Photographs (study 1) or line-drawing representations (study 2) of posed facial expressions and a list of emotion words (happiness, surprise, fear, disgust, anger, sadness, neutral) were presented to two groups of observers who were asked to match the photographs or line drawings, respectively, with the emotion categories provided. A multidimensional-scaling procedure was applied to the judgment data. Two dimensions were revealed; pleasantness – unpleasantness and upper-face – lower-face dominance. Furthermore, the similarity shown by the two-dimensional structures derived first from the judgments of photographs and second from the line drawings suggests that line drawings are a viable alternative to photographs in facial-expression research.


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