Death of Christ / Death of the Artist. Slippage of Meaning in Contemporary Performance Art and Photography

IKON ◽  
2015 ◽  
Vol 8 ◽  
pp. 27-34
Author(s):  
Urszula Szulakowska
Keyword(s):  
Performance Art ◽  
Contemporary Performance

scholarly journals Discursos desde los Márgenes: Mujer y Arte de Acción en la Galicia Contemporánea

2019 ◽  
Vol 7 (3) ◽  
pp. 263
Author(s):  
Carlos Tejo Veloso
Keyword(s):  
Performance Art ◽  
Cultural Context ◽  
Institutional Support ◽  
Qualitative Interview ◽  
Self Management ◽  
Complex Issue ◽  
Contemporary Performance

This article presents an analysis of contemporary performance art carried out by women in Galicia; a complex issue if we consider that the nature of the discipline is a practically unexplored matter. Our reflection begins by defining the typology and particularities of Galician performance art. After that, we address the performance art context in Galicia and, finally, we examine the production of three artists that we consider essential: María Marticorena, Ana Gesto and María Roja. Our methodology emerges from a thorough search of available bibliographic resources, updated fieldwork through interviews, and tracking of photographic and videographic documentation. We have opted for a qualitative interview, focused on the artists analysed in the article which can be consulted as "Annex I", attached at the end of the text. This article unveils performance art that starts in the second half of the first decade of the new century, with the almost exclusive presence of women developing heterogeneous themes but influenced by the Galician cultural context. They haven’t had institutional support or been part of self-management movements, so frequent in other parts of Spain.

‘Man Is Ill Because He Is Badly Constructed’: Artaud, Klossowski and Deleuze in Search for the Earth Inside

2011 ◽  
Vol 5 (1) ◽  
pp. 18-34 ◽  
Author(s):  
Rick Dolphijn
Keyword(s):  
Performance Art ◽  
Holy Spirit ◽  
The Body ◽  
Deleuze And Guattari ◽  
The Earth ◽  
The Holy Spirit ◽  
Life Itself ◽  
Body Without Organs ◽  
Ways Of Thinking ◽  
And Performance

Starting with Antonin Artaud's radio play To Have Done With The Judgement Of God, this article analyses the ways in which Artaud's idea of the body without organs links up with various of his writings on the body and bodily theatre and with Deleuze and Guattari's later development of his ideas. Using Klossowski (or Klossowski's Nietzsche) to explain how the dominance of dialogue equals the dominance of God, I go on to examine how the Son (the facialised body), the Father (Language) and the Holy Spirit (Subjectification), need to be warded off in order to revitalize the body, reuniting it with ‘the earth’ it has been separated from. Artaud's writings on Balinese dancing and the Tarahumaran people pave the way for the new body to appear. Reconstructing the body through bodily practices, through religion and above all through art, as Deleuze and Guattari suggest, we are introduced not only to new ways of thinking theatre and performance art, but to life itself.

POTENSI SENI KRIYA ISTIMEWA DALAM PAMERAN “NEGARI NGAYOGYAKARTA HADININGRAT 2012”

CORAK ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Edi Eskak
Keyword(s):  
Performance Art ◽  
Mixed Media ◽  
First Century ◽  
Creative Potential ◽  
Works Of Art ◽  
Arts Festival ◽  
Digital Prints ◽  
Wide Assortment

Arts Festival Negari Ngayogyakarta Hadiningrat 2012 undertaken in order to commemorate the first century of Hamengku Buwono IX as well as 2,5 century of Ngayogyakarta Hadiningrat, featuring the character or the privilege of Yogyakarta through works of art by artists with no exit from the corridors of copyrighted artistic distinctiveness. The works on display most of the particular character, specific and have their own specialty. Privileges of Yogyakarta with its dynamic, multicultural, and tolerant of the works reflected on display in the various mediums of expression and creation. A wide assortment of works of art displayed expression of both the traditional, conventional and non conventional, such as: painting, graphics, sculpture, video, film, animation, installation, performance art, digital prints, puppets, mixed media and others. Not to mention that the exhibition has a variety of craft works of art, such as the art which haselements of craftmanship. The uncommon art that relies on creativity ideas and handskills in this exhibition appear surprisingly with exceptional works that have creative potential prospective. These young artists, among other craft; Karyadi, Fitriasih Pudyo Atmaningrum, I Gde Suryawan, and I Gusti Ngurah Edi Basudewa.Keywords: potential, arts crafts, specialty, and Negari Ngayogyakarta Hadiningrat

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