Like Joseph in Egypt? Exile Experiences of Royal Women

2004 ◽  
pp. 53-67
Author(s):  
Miriam Shergold
Keyword(s):  
Royal Women

Virtue, Sanctity, and Charity of the Royal Women of Fez

Hawwa ◽  
2021 ◽  
pp. 314-338
Author(s):  
Bárbara Boloix-Gallardo
Keyword(s):  
Additional Analysis ◽  
The Political ◽  
Gender Perspective ◽  
Close Relationship ◽  
History Of ◽  
Royal Women

Abstract The history of the Banū Marīn of the kingdom of Fez (seventh–ninth/thirteenth–fifteenth centuries) cannot and should not be reconstructed without a gender perspective which gives the women of this dynasty a place within its historic discourse. They played a key role in the political and religious legitimacy of the rulers, as reflected by the Banū Marīn historiography which, mirroring the idiosyncrasy of medieval Berber societies, afforded its women a visible space. However, as it was always subject to the clear interests of male political-religious legitimacy, this space for visibilisation is worthy of analysis. This study examines the different profoundly religious behaviour and capabilities which the chronicles assigned to different royal Merinid women, as related in the various anecdotes transmitted in their pages. Additional analysis is carried out on how these model characterisations aimed to increase the aura of spirituality of the amīrs, influenced by their close relationship and everyday contact with these women.

ROYAL WOMEN AS SUCCESSION ADVOCATES

2018 ◽  
pp. 29-40
Author(s):  
Elizabeth Carney
Keyword(s):  
Royal Women

Magazine Miniatures: Portraits of Actresses, Princesses, and Queens in Late Eighteenth-Century Periodicals

2018 ◽  
Author(s):  
Laura Engel
Keyword(s):  
Eighteenth Century ◽  
Visual Display ◽  
Elizabeth Inchbald ◽  
Mary Robinson ◽  
Sarah Siddons ◽  
Late Eighteenth Century ◽  
Individual Character ◽  
Late Eighteenth ◽  
The Creation ◽  
Royal Women

This essay explores images of actresses, queens and princesses in late-century periodicals. Comparing portraits of Sarah Siddons, Mary Robinson, and Elizabeth Inchbald to images of Queen Charlotte and Princess Charlotte Augusta, Laura Engel argues that periodical portraits function as celebrity pin-ups (versions of the same image) as well as markers of individual character (celebrating specificity and originality), thus participating in the creation of ideas about women’s claim to fame, legitimacy, and visibility. Readers could ‘own’ an image of their favourite player by purchasing a periodical, and could also feel connected to royal women, who resembled their most cherished theatrical stars. At the same time, the legitimacy bestowed on queens and princesses transferred visually to famous actresses who appeared in very similar costumes and poses. Looking closely at the ways in which artists employed similar iconography in these portraits, suggests ways of seeing that, Engel contends, connect to contemporary modes of visual display, particularly to the repetition and serial nature of pictures on Facebook, which promote a sense of intimacy and familiarity with the portrait’s subject that is ultimately a construction. Periodical portraits thus foreground the inherent tension between formality and intimacy highlighted in images of celebrated women.

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