Chapter 3. Coleridge, Lyric Askesis, and Living Form

2021 ◽  
pp. 89-123
Keyword(s):  
Life ◽  
2009 ◽  
pp. 106-154
Author(s):  
Denise Gigante
Keyword(s):  

2020 ◽  
Vol 3 (2(6)) ◽  
pp. 125-137
Author(s):  
Magdalena Grela-Chen

In the popular discourse, geiko districts are described as places where traditional culture is preserved in a living form. Although this statement may be considered as true, the geiko community is a part of Japanese society as a whole and does not exist in complete isolation. Being able to survive as guardians of the Japanese tradition, in the 21st century geiko are discovering new opportunities, such as using new media to promote themselves in order to protect their lifestyle. However, outside world has forced them to change the way they manage their business in the districts. By using their own Internet sites, Facebook, Twitter and Instagram accounts to reach new customers, they display their daily routine, one in which traditional culture meets modern ideas. This paper shows the reception of usage of the Internet in traditional entertainment districts of Kyoto and the response of Western tourists to the geisha phenomenon. It appears that overwhelming attention on the part of tourist industry, as well as commercialisation, are becoming a threat to the values which have cemented relationships between customers, geiko and teahouses owners. For instance, while during the so-called “geisha hunting”, tourists often try to take photographs of them at all costs. Considering the aspects of geiko life and processes mentioned above it is worth analysing how the image of the geiko is perceived by Westerners.


2021 ◽  
Vol 10 (2) ◽  
pp. 15-23
Author(s):  
Rachel E. Silverman

Since 2016, the city of Orlando, FL, has remembered the Pulse nightclub massacre through memorial projects honoring the victims and survivors. The process of remembering and memorializing trauma is contentious; debates over how, where, who, and what to remember are about emotions, economics, and politics. Knowing that meaning making and memory are ongoing processes, I use the circuit of culture model to navigate my city’s processes and places of memorializing by visiting and interpreting different sites of memory. I argue for the power of the vernacular memorial, rather than the state-sanctioned, as a more inclusive, living form of memory.


2009 ◽  
Vol 63 (4) ◽  
pp. 486-498 ◽  
Author(s):  
Nicholas M. Williams

William Blake's interests in the living body and its aesthetic analogue, "Living Form," underlie his attempt at representing motion, a hallmark of animal life since at least the time of Aristotle's De Anima. In scenes such as Albion's climactic rise and subsequent falling back in Milton, motion emerges as a representational problem, however, in large part due to the unsatisfying dominance of a Newtonian mechanical account of motion. Phenomenological accounts of both self-motion and motion in the object world, such as Maurice Merleau-Ponty's, can nevertheless suggest how Blake points to the problem of perceiving motion, even if it finally resists full representation.


2007 ◽  
Vol 67 (2) ◽  
pp. 350-363 ◽  
Author(s):  
Hajime Kobayashi ◽  
Lyle A. Simmons ◽  
Daniel S. Yuan ◽  
William J. Broughton ◽  
Graham C. Walker

1985 ◽  
Vol 58 (3) ◽  
pp. 456
Author(s):  
Helmut J. Schneider ◽  
Leonard P. Wessell ◽  
Friedrich Schiller

Isis ◽  
1995 ◽  
Vol 86 (3) ◽  
pp. 494-495
Author(s):  
John H. Eddy,
Keyword(s):  

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