Conclusion: Old Wars, New Wars

Watching War ◽  
2020 ◽  
pp. 173-194
Keyword(s):  
2020 ◽  
Vol 2 ◽  
pp. 1-18
Author(s):  
Tuncay Şur ◽  
Betül Yarar

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.


2019 ◽  
Vol 29 (3) ◽  
pp. 1-21

The article analyses the dominant trends in contemporary armed conflicts that are referred to as the “new wars.” Rather than debating the empirical aspects of the concept, the author focuses on its conceptual content, which provides a theoretical framework for understanding the military actions that came after the end of the Cold War. She traces the genealogy of irregular wars, which is a concept known since late antiquity, although it was not at that time a definitive part military theory. Traditional military conflicts often took place between armies of states that officially declared war on each other. They were limited in time and space and had clear goals that, once achieved, left open the possibility of a return to peace. The term “small war” came into use by theorists only at the turn of the eighteenth and nineteenth centuries to describe the processes taking place on the periphery of classical conflicts. However, that term seems to be the most relevant for understanding the irregular nature of combat actions in the twenty-first century. New wars add a dimension of biopolitics to the traditional realm of geopolitics. Drawing examples from the conflicts and armed revolutionary movements of the second half of the twentieth century, the author argues that there were fundamental transformations that set irregular warfare apart: a shift of strategic emphasis, the insurgent and guerrilla nature of the conflicts, the redefinition of “collateral damage,” the spread of terrorist methods for waging war between unequal forces, and private financing of paramilitary groups. The characterization of the essential features of the new wars concept includes an analysis of the factors that led to reformulating war; the key factor was the combination of authoritarianism with economic openness and neoliberal economic policy. The conclusion reached is that, against the background of ongoing global integration, the changes in the conduct of armed conflicts are creating a new culture of security that is justifiably labelled “new wars.”


2021 ◽  
pp. 0095327X2199622
Author(s):  
Sergio Catignani ◽  
Nir Gazit ◽  
Eyal Ben-Ari

This Armed Forces & Society forum is dedicated to exploring recent trends in the characteristics of military reserves and of the changing character of reserve forces within the armed forces within the military, the civilian sphere, and in between them. To bring new and critical perspectives to the study of reserve forces and civil–military relations, this introduction and the five articles that follow draw on two organizing conceptual models: The first portrays reservists as transmigrants and focuses on the plural membership of reservists in the military and in civilian society and the “travel” between them. The second model focuses on the multiple formal and informal compacts (contracts, agreements, or pacts) between reservists and the military.


2006 ◽  
Vol 121 (3) ◽  
pp. 369-395 ◽  
Author(s):  
RENÉE DE NEVERS
Keyword(s):  

2020 ◽  
Vol 38 (4) ◽  
pp. 235-237
Author(s):  
Lothar Brock

Whether or not, and how, ‘security’ and ‘peace’ go together has always been an issue of discussion among peace researchers. The focus on peace instead of on (military) security was constitutive for early German ‘critical peace research’. The inception of S+F can be regarded as an attempt to bridge the divide between peace and security studies. In this regard, the title of the journal was programmatic. It served a useful purpose when, in the late 1980s and early 1990s, peace research (with important exceptions, of course) tended to move towards critical security studies combined with a reductionist understanding of peace as ‘comprehensive security’ and as a label on a tool box for civil conflict management (in the ‘new wars’). In this context, S+F reminded the community of the need to maintain the distinction between peace and security. The journal also offered the space for debating this distinction in terms of the different logics of peace and security.


J-Institute ◽  
2021 ◽  
Vol 6 (3) ◽  
pp. 43-53
Author(s):  
Guerrero Gonzalo ◽  
Sangjung Park ◽  
Hongje Cho
Keyword(s):  

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