In-Betweens in a Hybrid Nation: Construction of Japanese American Identity in Postwar Japan

Orientations ◽  
2020 ◽  
pp. 228-248
2021 ◽  
pp. 1-49
Author(s):  
Jaehwan Hyun

Abstract By focusing on the emergence and integration of “hybrid children” (konketsuji) anthropology into the Human Adaptability section of the International Biological Program (HA-IBP) in Japan during the 1950s and 1970s, this paper presents how transnational dynamics and mechanisms played out in shaping and maintaining the racist aspects while simultaneously allowed them to be included in the HA-IBP framework. It argues that they operated a double play between their national and transnational spaces—that is, they attenuated racist aspects of their research in their international activities while authenticating race in their national work. This paper will conclude with reflections on the transnational nationalism of konketsuji anthropology.


Author(s):  
Samuel O. Regalado

This chapter explains the significance of baseball among the Nikkei, or the Japanese diaspora, in the United States. Throughout the history of their people in the United States, the national pastime resonated strongly among the Japanese from the time that its sojourners, the Issei, came to America to that of the Yonsei, the fourth generation. And, much more than a recreational activity, the game commanded respect as it grew to become part of their heritage. Baseball, as they organized and played it, also crossed geographical and generation boundaries. Rooted in the land of their forefathers, the Nikkei resurrected it in the American communities where they landed. “Their baseball” was metropolitan and rural and employed as a means to network with kin in other regions, and also shaped and demonstrated the Japanese American identity in profound ways.


Author(s):  
Samuel O. Regalado

Nikkei Baseball examines baseball's evolving importance to the Japanese American community and the construction of Japanese American identity. Originally introduced in Japan in the late 1800s, baseball was played in the United States by Japanese immigrants first in Hawaii, then San Francisco and northern California, then in amateur leagues up and down the Pacific Coast. For Japanese American players, baseball was seen as a sport that encouraged healthy competition by imposing rules and standards of ethical behavior for both players and fans. The value of baseball as exercise and amusement quickly expanded into something even more important, a means for strengthening social ties within Japanese American communities and for linking their aspirations to America's pastimes and America's promise. Drawing from archival research, prior scholarship, and personal interviews, this book explores key historical factors such as Meiji-era modernization policies in Japan, American anti-Asian sentiments, internment during World War II, the postwar transition, economic and educational opportunities in the 1960s, the developing concept of a distinct “Asian American” identity, and Japanese Americans' rise to the major leagues with star players including Lenn Sakata and Kurt Suzuki and even managers such as the Seattle Mariners' Don Wakamatsu.


2015 ◽  
Vol 31 (1) ◽  
pp. 28-32
Author(s):  
Carol Fisher Sorgenfrei

Although written two centuries apart and in divergent cultures, the kabuki play Tōkaidō Yotsuya Kaidan and Shakespeare's Macbeth exhibit marked similarities (as well as differences) in plot. Here, Carol Fisher Sorgenfrei analyzes some of the ways that these plays reflect (mostly male) anxieties regarding shifting patterns of gender and political power in Jacobean England and Tokugawa Japan. Professor Emerita of Theatre at UCLA, Carol Fisher Sorgenfrei is a specialist in Japanese theatre and intercultural performance, and was recently a Research Fellow at the International Research Institute in Interweaving Performance Cultures at the Free University, Berlin. She is the author of Unspeakable Acts: the Avant-Garde Theatre of Terayama Shūji and Postwar Japan (University of Hawaii, 2005) and co-author of Theatre Histories: an Introduction (Routledge, third edition, 2015). She is also a playwright whose latest play, Ghost Light, is a contemporary fusion of Macbeth and Yotsuya Ghost Stories, in which the ghost of a Japanese-American actress returns to wreak vengeance on the husband who betrayed her. The play will be staged as an Equity Showcase in New York in Autumn 2015.


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