7. Local Television and Community Politics in Brazil: São Paulo’s TV Anhembi

2020 ◽  
pp. 190-206
Author(s):  
Ellen Reese ◽  
Ian Breckenridge-Jackson ◽  
Julisa McCoy

This chapter explores the history of maternalist mobilization and women’s community politics in the United States. It argues that both “maternalism” and “community” have proved to be highly flexible mobilizing frames for women. Building on the insights of intersectionality theory, the authors suggest that women’s maternal and community politics is shaped by their social locations within multiple, intersecting relations of domination and subordination, as well as their political ideologies and historical context. The chapter begins by discussing the politically contradictory history of maternalist mobilization within the United States from the Progressive era to the present. It then explores other forms of women’s community politics, focusing on women’s community volunteerism, self-help groups, and community organizing. It discusses how these frames have been used both to build alliances among women and to divide or exclude women based on perceived differences and social inequalities based on race, nativity, class, or sexual orientation.


2021 ◽  
pp. 1329878X2110303
Author(s):  
Anna Potter ◽  
Amanda D. Lotz

This article analyses how digitisation and screen policy reform altered the production of domestic drama and children’s programmes in Australia. Focusing on dynamics that developed before widespread use of streaming services, it maps the disruptions and evolution that digital ‘multi-channels’ caused and how they challenged audiovisual policy frameworks intended to safeguard local television including drama on advertiser-funded broadcasters. The article reveals how the effects of fragmentation undermined commercial television’s business model and eroded investment in scripted content. Shifting policy priorities also brought new support mechanisms for local programmes and led to adjustments to the ABC’s drama funding practices, with significant effects on the form, content, and cultural visibility of Australian drama. This initial stage of digital disruption – spanning roughly 2001–2014 – is often overlooked but is crucial for appreciating the challenges facing Australian television drama production in the 2020s.


2021 ◽  
pp. 100821
Author(s):  
Margaret Tait ◽  
Colleen Bogucki ◽  
Laura Baum ◽  
Erika Franklin Fowler ◽  
Jeff Niederdeppe ◽  
...  

2013 ◽  
Vol 28 (8) ◽  
pp. 846-852 ◽  
Author(s):  
Hyunmin Lee ◽  
YoungAh Lee ◽  
Sun-A Park ◽  
Erin Willis ◽  
Glen T. Cameron

Stroke ◽  
2006 ◽  
Vol 37 (6) ◽  
pp. 1556-1557 ◽  
Author(s):  
James M. Pribble ◽  
Kenneth M. Goldstein ◽  
Jennifer J. Majersik ◽  
William G. Barsan ◽  
Devin L. Brown ◽  
...  

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