4. “I Hate My Job, I Hate Everybody Here”: Adultery, Boredom, and the “Working Girl” in Twenty-First-Century American Cinema

Domestic Labor in Twenty-First Century Latin American Cinema, Elizabeth Osborne and Sofía Ruiz-Alfaro (eds) (2020)

Studies in Spanish & Latin-American Cinemas ◽

10.1386/slac_00040_5 ◽

2021 ◽

Vol 18 (1) ◽

pp. 108-110

Author(s):

Andrea Meador Smith

Keyword(s):

Latin American ◽

First Century ◽

Domestic Labor ◽

American Cinema ◽

Latin American Cinema ◽

Twenty First Century

Review of: Domestic Labor in Twenty-First Century Latin American Cinema, Elizabeth Osborne and Sofía Ruiz-Alfaro (eds) (2020) Cham, Switzerland: Palgrave Macmillan, 242 pp., ISBN 978-3-03033-295-2, h/bk, €103.99, e/bk, €85.59

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Domestic Labor in Twenty-First Century Latin American Cinema

10.1007/978-3-030-33296-9 ◽

2020 ◽

Keyword(s):

Latin American ◽

First Century ◽

Domestic Labor ◽

American Cinema ◽

Latin American Cinema ◽

Twenty First Century

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Spaghetti Westerns and the ‘Afterlife’ of a Hollywood Genre

Spaghetti Westerns at the Crossroads ◽

10.3366/edinburgh/9780748695454.003.0013 ◽

2016 ◽

Cited By ~ 1

Author(s):

Pete Falconer

Keyword(s):

Major Part ◽

First Century ◽

American Cinema ◽

Representational Practices ◽

The World ◽

Wild West ◽

Twenty First Century ◽

The 1960S ◽

Spaghetti Westerns ◽

Historical Moment

This chapter examines how Western movies (and their attendant themes and tropes) have functioned since the genre ceased to be a major part of mainstream American cinema, and how these changed generic conditions have affected the ways in which Westerns are produced and understood. It compares this situation with another historical moment in which the conventions of the Western genre found themselves transformed by a different set of surrounding contexts: the Italian adoption of the Western in the 1960s. It argues that the Italian Western makes the genre ‘strange’, and alienates the viewer from the world of the Wild West. It makes a compelling case for how the seemingly familiar codes of the Western have in fact been rendered alien in differing ways upon contact with various contexts, and thereby offers insights into the representational practices of twenty-first-century Westerns such as Appaloosa (Ed Harris, 2008), 3:10 to Yuma (James Mangold, 2007) and True Grit (Ethan and Joel Cohen, 2010).

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