Women’s Rites of Passage in Ancient Israel Three Case Studies (Birth, Coming of Age, and Death)

2014 ◽  
pp. 1-32
Author(s):  
Susan Ackerman
2008 ◽  
Vol 2008 (118) ◽  
pp. 97-100 ◽  
Author(s):  
David G. Blumenkrantz ◽  
Kathryn L. Hong

Author(s):  
Claude Calame

In comparing the symposium to a Männerbund (brotherhood), this article reflects on its role as a backdrop to the discourse of social ‘initiation’ in a broader discussion of ‘rites of passage’ – rituals that more or less explicitly sacramentalize and define the development of the individual as a social being in ancient Greece, as in other societies. It discusses the rites of passage for groups of adolescents, initiation processes for young people, choral education for young girls, and narrative logic and aetiology.


2017 ◽  
Vol 25 (4-5) ◽  
pp. 609-624
Author(s):  
Rebekah Welton

This article addresses a gap in current biblical scholarship regarding food production and consumption. Using meat and beer as two brief case studies, the potential of food to symbolise and inculcate identities and status in the agro-pastoral Israelite and Judahite household will be demonstrated. A case will also be made for attributing agency to food. In particular, this method elucidates the roles and identities of various members of the household, including its animals and deities, and especially focuses on the ritual agency of women.



2019 ◽  
Vol 19 ◽  
Author(s):  
Shawna Dolansky ◽  
Sarah Shectman ◽  
Susan Ackerman ◽  
Alison L. Joseph ◽  
Mark Leuchter ◽  
...  

The essays in this collection each expand the possibilities of biblical historical-critical scholarship with a focus on textual representations of gendered systems and their implications for understanding the social, political, cultural, and religious contexts in which they were composed. In doing so, they demonstrate the ways in which a gendered historiography can cultivate a more nuanced understanding of power hierarchies in the social reality of ancient Israel.


2016 ◽  
Vol 5 (1) ◽  
pp. 5-33
Author(s):  
Carlos Menendez-Otero

The article explores why in the 1990s many Irish filmmakers chose precisely a coming of age narrative to attempt to take the international box office by storm, and assesses some of the films that resulted from the attempt. First, it discusses the cultural roots and generic conventions of the Hollywood teen film, especially the rites of passage it has reified and its idealization of small-town, mid-century America. Second, it studies the economic and cultural reasons behind the (over)production of coming of age films in Ireland over the 1990s. Finally, we tackle how these films alternatively deviate from and rely on the conventions of the Hollywood coming of age film to meet investor demands and engage global audiences with Irish concerns.


2018 ◽  
Vol 31 (1) ◽  
pp. 65-83
Author(s):  
Noleen Turner

AbstractThis article focuses on humor embedded in the delivery and lyrics of a form of song sung by Zulu women in KwaZulu-Natal, South Africa still widely practiced in rural areas, called amaculo omgonqo ‘puberty songs.’ The aim is to ascertain how and why young Zulu females sing these unusual songs which are normally sung in the days preceding two rites of passage ceremonies; firstly, the umhlonyane ceremony, which is held to mark a young girl’s first menstruation during her puberty years, and secondly, approximately 10 years later, the umemulo ‘coming of age’ ceremony which is held for young girls who have reached marriageable age. Analysis is made of the unusual use of scatological and ribald language in these songs, which are sung by young girls before these two ceremonies. These songs are rendered socially acceptable only because of the context in which they are sung, and for the bawdy humor which is core to the lyrics.


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