Architekturzeichnung und ihre Rolle beim ­Entwurf komplexer Werksteinkonstruktionen in Spätmittelalter und Früher Neuzeit

Architectura ◽  
2019 ◽  
Vol 47 (1-2) ◽  
pp. 1-23
Author(s):  
David Wendland

AbstractAlthough the affinity of medieval architectural drawings to the graphic procedures of setting-out has been extensively discussed, the role of scale drawings in the design practice of the late Middle-Ages and the Early Modern period is still subject of debate. This regards also the drawings of complex late Gothic rib vaults. An opportunity for better understanding their precise use and function within the design and planning of complex stone structures is given by a case study on the vault in St. Catherine’s chapel in Strasbourg Cathedral, where an original drawing of the plan can be compared with the existing structure as it was actually built. The vault with looping ribs was completed in 1547. The comparative study of the drawing and the building is based on the previous research on the procedures of stone-planning in late Gothic vaults, and comprises also building archaeology, surveys, and geometric analyses of the vault.


Author(s):  
Luigi Tufano

Through the parchments of the aristocratic archive, the essay reconstructs the events and paths of construction and consolidation of the political and social role of the Albertini of Cimitile, an important family of the Nolan élite, of legal professionals and with consolidated relations with the Orsini count dynasty, in the period between the late Middle Ages and the early modern period.



Author(s):  
John Yamamoto-Wilson

In this chapter, Yamamoto-Wilson examines the role of the Other’s gaze in early modern masochistic fantasy, starting with reader responses to martyrologies (particularly Foxe), hagiography and bloody histories, and moving on to erotic and proto-pornographic narratives (among which Nicholas Chorier’s Satyra Sotadica is preeminent) and narratives of sexual insecurity. Georges Duby, Lisa Silverman and others have argued that, in the late Middle Ages, dolor was the property of women, and Melissa Sanchez demonstrates how, in the early modern period, the political subject was discursively feminized through injunctions to suffer. The gaze of the Other both emasculates and humiliates, but perseverance in suffering (whether in the martyr’s sacrifice or the masochist’s fantasy) leads, paradoxically, to triumph. While the Other is sometimes depicted as male, there is an emergent sense of a transgressive female gaze, reflected in the writings of Thomas Nashe, Samuel Butler, Mary Wroth and others. This chapter focuses on the male anxiety generated by the gaze of a female Other in the literary discourse of early modern England.



2021 ◽  
Vol 48 (1) ◽  
pp. 1-40
Author(s):  
Teresa Schröder-Stapper

The Written City. Inscriptions as Media of Urban Knowledge of Space and Time The article investigates the function of urban inscriptions as media of knowledge about space and time at the transition from the late Middle Ages to the early modern period in the city of Braunschweig. The article starts with the insight that inscriptions in stone or wood on buildings or monuments not only convey knowledge about space and time but at the same time play an essential role in the construction of space and time in the city by the practice of inscribing. The analysis focuses on the steadily deteriorating relationship between the city of Braunschweig and its city lord, the Duke of Braunschweig-Lüneburg, and its material manifestation in building and monument inscriptions. The contribution shows that in the course of the escalating conflict over autonomy, a change in epigraphic habit took placed that aimed at claiming both urban space and its history exclusively on behalf of the city as an expression of its autonomy.



2020 ◽  
Vol 21 (1) ◽  
pp. 1-28
Author(s):  
Marieke Meelen ◽  
Silva Nurmio

This paper investigates adjectival agreement in a group of Middle Welsh native prose texts and a sample of translations from around the end of the Middle Welsh period and the beginning of the Early Modern period. It presents a new methodology, employing tagged historical corpora allowing for consistent linguistic comparison. The adjectival agreement case study tests a hypothesis regarding position and function of adjectives in Middle Welsh, as well as specific semantic groups of adjectives, such as colours or related modifiers. The systematic analysis using an annotated corpus reveals that there are interesting differences between native and translated texts, as well as between individual texts. However, zooming in on our adjectival agreement case study, we conclude that these differences do not correspond to many of our hypotheses or assumptions about how certain texts group together. In particular, no clear split into native and translated texts emerged between the texts in our corpus. This paper thus shows interesting results for both (historical) linguists, especially those working on agreement, and scholars of medieval Celtic philology and translation texts.



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