scholarly journals : Ancient Landscapes: Studies in Field Archaeology . John Bradford.

1960 ◽  
Vol 62 (1) ◽  
pp. 176-178 ◽  
Author(s):  
Gordon Willey
Keyword(s):  
Ancient Landscapes

UTAH'S ANCIENT LANDSCAPES: A VIEW FROM ABOVE – PENNSYLVANIAN TO PLEISTOCENE

2016 ◽  
Author(s):  
Hannah M. Bonner ◽  
◽  
Thomas H. Morris ◽  
Kinsey G. Spiel
Keyword(s):  
Ancient Landscapes

TRACING ANCIENT LANDSCAPES USING THERMOCHRONOLOGY AND DETRITAL ZIRCON AND SANIDINE STUDIES OF PALEORIVERS ON THE SOUTHERN COLORADO PLATEAU

2019 ◽  
Author(s):  
Carmen Winn ◽  
◽  
Karl E. Karlstrom ◽  
Shari A. Kelley ◽  
Matthew T. Heizler ◽  
...  
Keyword(s):  
Detrital Zircon ◽  
Colorado Plateau ◽  
Ancient Landscapes

PINES IN ANCIENT LANDSCAPES

2001 ◽  
Vol 10 (3) ◽  
pp. 331-333
Author(s):  
Paul H. Zedler
Keyword(s):  
Ancient Landscapes

On Modern Landscape Design Integrating Chinese Traditional Spiritual Culture

2011 ◽  
Vol 368-373 ◽  
pp. 3414-3417
Author(s):  
Qi Peng Liao
Keyword(s):  
Sense Of Belonging ◽  
Traditional Culture ◽  
Landscape Design ◽  
Innovative Development ◽  
Human Culture ◽  
Chinese Traditional Culture ◽  
Spiritual Culture ◽  
Basic Framework ◽  
Ancient Landscapes ◽  
Modern Landscape

Chinese concept of landscape design originates from Chinese traditional culture, which is based on the basic framework integrating Confucianism, Taoism and Buddhism and embodied in the design of many classic ancient landscapes. However, spiritual culture is seriously missing in Chinese modern landscape construction, which affects landscape design and shaping. It is urgent to restore spiritual culture in modern landscape design. The development of landscape design shall give more priority to the harmony of human, culture and the nature, and emphasize Chinese spiritual culture in modern landscape design. Only those landscape designs that embody the connotation of Chinese spiritual culture can have real vitality, and only those designs that embody the features of Chinese spiritual culture can actually give people spiritual comfort and a sense of belonging. Giving priority to creating and presenting spiritual culture and images of Chinese landscape and seeking for landscape designs that present Chinese features is the path for innovative development of Chinese landscape design.

Neolithization and Ancient Landscapes in Southern Primorye, Russian Far East

2014 ◽  
Vol 27 (3-4) ◽  
pp. 247-261 ◽  
Author(s):  
Alexander N. Popov ◽  
Andrei V. Tabarev ◽  
Yuri A. Mikishin
Keyword(s):  
Russian Far East ◽  
Far East ◽  
Southern Primorye ◽  
Ancient Landscapes

Ancient Landscapes of Western North America

2018 ◽  
Author(s):  
Ronald C. Blakey ◽  
Wayne D. Ranney
Keyword(s):  
North America ◽  
Western North America ◽  
Ancient Landscapes

The Work of Monuments: Reflections on Spatial, Temporal and Social Orientations in Mongolia and the Maya Lowlands

2014 ◽  
Vol 24 (1) ◽  
pp. 117-140 ◽  
Author(s):  
Sarah E. Jackson ◽  
Joshua Wright
Keyword(s):  
Social Organization ◽  
Lived Experience ◽  
Bronze Age ◽  
Common Ground ◽  
Classic Period ◽  
Maya Lowlands ◽  
Cultural Contexts ◽  
Inner Asia ◽  
Ancient Landscapes ◽  
Interpretive Frameworks

In this article, we look at two very different contexts of monument use – Bronze Age Inner Asia and the Classic period Maya lowlands – in order to explore the function and meanings of monuments and the variety of ways in which they worked to mark and differentiate ancient landscapes. Our goal in uniting such disparate contexts is to examine how power and social organization in these settings were translated into monumental material forms, and how such materializations were experienced by those who viewed and re-interpreted the monuments. In particular, we explore how monuments acted as orientational markers within specific cultural contexts. Our discussion finds common ground between the disparate settings through several common interpretive frameworks focused on spatial, temporal and social orientational work accomplished by active, agentive monuments through their relationships with humans, which we frame as a ‘technology of the monument’. Monuments are instrumental in situating groups within these different layers, or landscapes, of lived experience, yet even while physically fixed, allow for movement through changing meanings and ideas.

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