Mutual Enrichment of Orthodox and Secular Historical and Cultural Traditions and Values

The article discusses the main directions for the mutual enrichment of Orthodox and secular traditions. The author focuses on the outstanding historical Crimean monuments, emphasizes the need to study the material at school. The main role is assigned to the formation of the spiritual culture of the student on the basis of introducing children to the historical and cultural heritage of the Crimea.

Gastronomica in Bāburnāme

The Bāburnāme, written by Ẓahīr-ud-Dīn Muhammad Bābur, the founder of the Moghul Dynasty, represents the most important literary work of the Chagathay literature. Besides, it also occupies a prominent position within the Islamic literature since it represents the first autobiography written in the Islamic world. As widely known, Bāburnāme is a goldmine of information on various aspect of Central Asian material and spiritual culture. The present article discusses selected passages of the Bāburnāme – presented to the reader in both morphologically glossed original and translation – focusing on food culture and gastronomy in Central Asia.

Zarys filozofi i bytu duchowego z pozycji tomizmu

From the Thomistic point of view, the outline of philosophy of spiritual being takes into account three basic dimensions of the spirit. The first deals with the existence of independent personal beings, i.e. individual substances: God, angelic beings and human souls. The second is related to the fundamental phenomena of the inner life of a person, that is powers of the soul, their acts and objects. The last form of the spirit deals with personal external activity in the course of which all kinds of extra-mental beings are created. These include, above all, the multiple forms of the so-called spiritual culture, present nowadays mainly in science, art, morals and religion.

MODERN CONCEPTUALIZATION OF THE WAYS OF DEVELOPMENT OF MUSICAL THINKING OF THE STUDENT-MUSICIAN

The author of this investigation discusses the importance of musical-Choral Art in the formation of the student-musician. The main focus is on the analysis of the concept of «musical thinking». One of the definitions of this concept is given from the point of view of the internalization of music, as the mechanism of functioning of musical thinking. In this context this phenomenon is analyzed and characterized from various points of view. The author concludes that internalization is an indicator of the development of musical thinking of the student’s personality, and its development, as an integral phenomenon, opens up unlimited opportunities for the formation of creative abilities and the formation of the student’s spiritual culture.

NATIONAL AND CULTURAL IDENTITY IN PROVERBS AND SAYINGS OF RUSSIAN GERMANS CONTAINING REALIA

В статье ставится задача проанализировать общий корпус пословиц и поговорок российских немцев и выделить наиболее часто встречающиеся группы реалий - названия предметов и явлений духовной и материальной культуры. В статье освещается опыт исследователей Вятского государственного университета, а также используется метод комплексного анализа при сборе и обработке языкового материала носителей немецких островных диалектов Кировской области. The article sets out to analyze the general corpus of proverbs and sayings used by Russian Germans and to highlight the most common groups of realities - names of objects and phenomena of spiritual culture and realities - names of objects and phenomena of material culture. The article highlights the experience of researchers at Vyatka State University, and it also uses the complex analysis method when collecting and processing the language material of speakers of the German island dialects living in the Kirov region.

Motivation of the dialectal word in reflection of the analytic dialectology

The paper deals with the problems of the Russian dialectology. We consider the modern period of the development of dialect studies as the era of “analytical and explanatory dialectology” whose aim is to give dialect word a deep interpretation and in connection with this to analyze the language of traditional culture. Thus, we offer to broaden the framework of dialect studies and to shape what can be called cultural dialectology which aims at the reconstruction of the traditional spiritual culture.

Elena Evgenievna Koroleva (June 21, 1951 – April 20, 2021)

Jelena Koroliova, Daugavpils University Professor, Dialectologist, since 2008. member of the Old Slavic Research Commission of the International Slavic Committee, wrote articles on lexicoraphy, ethnolinguistics, phraseology, and folklore. She has published a unique work - two volumes of Latgale Old Believers' dialects (2017, 2020), which reflect the spiritual culture of the Old Believers.

ANXIETY-DEPRESSIVE STATES IN SOMATIC DISEASES AND THEIR CORRECTION BY MEANS OF SPIRITUAL CULTURE THERAPY METHODS

Тревожно-депрессивные расстройства широко распространены у пациентов с соматической патологией. Повышенный уровень тревоги, стресс, депрессия являются факторами риска развития и прогрессирования соматических заболеваний. Показана высокая сопряженность тревожно-депрессивных расстройств с заболеваниями сердечно-сосудистой и дыхательной систем, пищеварительного тракта, с нарушениями обмена веществ. У большого количества пациентов соматические (вегетативные) проявления являются вторичными, возникая на фоне тревожных расстройств. Большинство пациентов с соматическими заболеваниями, несмотря на выраженный дезадаптирующий характер тревоги, не получают специализированной помощи.

CULTURAL MEANING OF JAZZ (THROUGH THEODOR ADORNO’S CONCEPTION)

The article examines the patterns of development of one of the important musical trends in the XX and the XXI centuries in terms of its socio-cultural and socio-philosophical characteristics. The analysis takes into account Russian and Western (European and American) trends and assessments. The article captures the methodology of Theodor Adorno’s position, his political and musicological views. Attention is paid to the mechanisms of development of spiritual culture in a post-industrial society. The author substantiates the hypothesis and elaborates the idea of the great potential of jazz as a productive form of development and improvement of culture. The musical trends of the mid-twentieth century demonstrated radical transformations of jazz and rock music under the influence of commercialization, which demanded the simplification of the figurative system and language, active use of technical achievements, and mediation of musical space. The transformation of music and musical space contributed to the restructuring of society’s existence and consciousness, which in turn influenced the change of musical aesthetics and consumerized it.