This thesis examines the cultural significance of “playing Indian” in photographs: the practice of non-Native peoples dressing up in Native North American costumes and posing for photographs. It addresses photographs made both inside and outside the studio of people playing Indian, during both the later part of the nineteenth and early twentieth centuries and looks at the extent to which these photographs reinforce settler colonial ideology prevalent within white society during this time period. Examples from two collections will be explored, portraits from the Notman photography collection at the McCord museum, which includes examples of white Europeans and North Americans dressing up in Native “costumes” and photographs of children playing Indian in the First Nations collection at the Archive of Modern Conflict Toronto. Themes of masculinity, nation-building, “Canadianness,” and childhood in relation to indigeneity are explored by situating the photographs within their historical and cultural context and subsequently relating them to the already existing theories on playing Indian.
The Literary Art of Ali Smith: “All we are is Eyes.” The Transatlantic Studies in British and North American Culture, vol. 31. (Ema Jelínková and Rachael Sanders, eds.)
