Identity Politics and Racism Represented in the Work of John Akomfrah’s Black British Film

2021 ◽  
Vol 31 ◽  
pp. 139-166
Author(s):  
Ha Young Joo ◽  
2009 ◽  
Vol 25 (1) ◽  
pp. 6-21 ◽  
Author(s):  
Mojisola Adebayo ◽  
Valerie Mason-John ◽  
Deirdre Osborne

Mojisola Adebayo and Valerie Mason-John are two distinctive voices in contemporary writing and performance, representing an Afro-Queer diasporic heritage through the specific experience of being black, British, and lesbian. Creating continuities from contorted or erased histories (personal, social, and cultural), their drama demonstrates both Afro-centric and European theatrical influences, which in Mason-John's case is further consolidated in her polemic, poetry, and prose. Like Britain's most innovative and prominent contemporary black woman dramatist, debbie tucker green, they reach beyond local or national identity politics to represent universal themes and to centralize black women's experiences. With subject matter that includes royal families, the care system, racial cross-dressing, and global ecology, Adebayo and Mason-John have individually forged a unique aesthetic and perspective in work which links environmental degradation with social disenfranchisement and travels to the heart of whiteness along black-affirming imaginative routes. Deirdre Osborne is a lecturer in drama at Goldsmiths College, University of London, and has published essays on the work of black British dramatists and poets, including Kwame Kwei-Armah, Dona Daley, debbie tucker green, Lennie James, Lemn Sissay, SuAndi, and Roy Williams. She is the editor of Hidden Gems (London: Oberon Books, 2008), a collection of plays by black British dramatists.


Author(s):  
Peter Morey

This chapter explores some issues in black British and British Asian fiction since the 1980s. It shows certain key characteristics of the white British apprehension of those non-white imperial subjects who, after decolonization, were to arrive, in increasing numbers, on British shores. This chapter takes a sample of five writers — three women and two men — and explores those key recurring themes that give a unity to their otherwise very different novels. Through the work of Caryl Phillips, Andrea Levy, Zadie Smith, Hanif Kureishi, and Monica Ali, this chapter traces the persistence of issues of race and racism. The chapter also considers the importance of recuperating black history, the rise of identity politics, and the tenacity with which the gaze of the racial Other — whether white on black or black on white — fixes its object in the expectation of certain forms of limiting and supposedly ‘authentic’ behaviour.


2018 ◽  
Author(s):  
Jorge L. Giovannetti-Torres
Keyword(s):  

2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.


2003 ◽  
Vol 2 (1) ◽  
pp. 85-107 ◽  
Author(s):  
Nada Matta

This article is a theoretical critique of the post-Zionist discourse that emerged in Israel in the early 1990s. It examines articles published by a group of leading Israeli intellectuals in Teoriya vi-Bekorit (Theory and Criticism), a Hebrew-language journal which promotes post-Zionist discourse. It focuses on three major components of the discourse: postcolonial theory, identity-politics and multiculturalism. It examines how these terms were imported into Israeli culture and society. The article highlights the problematic of applying these terms to Israel, and applies existing Marxist critique of the three theoretical dimensions. Finally, it argues for a distinctive post-Zionist critique, one that is based on solidarity among people, rather than difference and multiplicity.


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