scholarly journals Passing Salt to a Dead Man, excerpts from Arthur 33, a solo performance

1994 ◽  
Vol 1994 (13) ◽  
pp. 127-135
Author(s):  
Mike Geither
Keyword(s):  
Public Voices ◽  
2017 ◽  
Vol 4 (2) ◽  
pp. 11
Author(s):  
Mary Ann M Eastep ◽  
Ali Farazmand
Keyword(s):  

Two recent films, The Chamber (1996), and Dead Man Walking (1996), each contribute unique insights into bureaucratic socialization as they traverse the work world of prison personnel charged with the implementation of society's ultimate punishment.


Author(s):  
Linda Freedman

The questions that drove Blake’s American reception, from its earliest moments in the nineteenth century through to the explosion of Blakeanism in the mid-twentieth century, did not disappear. Visions of America continued to be part of Blake’s late twentieth- and early twenty-first century American legacy. This chapter begins with the 1982 film Blade Runner, which was directed by the British Ridley Scott but had an American-authored screenplay and was based on a 1968 American novel, Do Androids Dream of Electric Sheep? It moves to Jim Jarmusch’s 1995 film, Dead Man and Paul Chan’s twenty-first century social activism as part of a protest group called The Friends of William Blake, exploring common themes of democracy, freedom, limit, nationhood, and poetic shape.


Sophia ◽  
2021 ◽  
Author(s):  
Mikel Burley

AbstractThe significance of narrative artworks as resources for, and possibly as instances of, philosophical thinking has increasingly been recognized over recent decades. Utilization of such resources in philosophy of religion has, however, been limited. Focusing on film in particular, this article develops an account of film’s importance for a ‘contemplative’ approach to philosophizing about religious ethics, an approach that prioritizes the elucidation of possibilities of sense over the evaluation of ‘truth claims’. Taking Dead Man Walking as a case in point, the article shows how this film facilitates an enhanced comprehension of specific concepts, most notably the concepts of faith, truth and love, as they feature within a characteristically Christian form of life.


1969 ◽  
Vol 89 ◽  
pp. 87-96 ◽  
Author(s):  
R. C. McCail

The Cycle of sixth-century epigrams edited by Agathias Scholasticus is the subject of a recent article by Mr and Mrs A. Cameron (JHS lxxxvi [1966] 6 ff.), who argue cogently that it was published in the early years of Justin II, and not the later years of Justinian, as has hitherto been supposed. Ca. also suggest identifications for many of the poets and imperial officials who figure in the Cycle. They do not, however, exhaust all the identifications that can be made, and some of those suggested by them require amplification or correction. Furthermore, Ca.'s view of the dating of the Cycle leads them, it seems to me, to underestimate its Justinianic character. The following observations are offered without prejudice to the merit of Ca.'s article as a whole.Among the Cyclic poets, only Julian the ex-Prefect of the East stands in close relationship to the political life of the age. His involvement in the Nika insurrection of 532 is attested by historical sources and, as Ca. claim (13), by two epigrams of the Anthology. The latter, however, contain difficulties passed over by Ca. In the first place, of the two epigrams on the cenotaph of Hypatius, only AP vii 591 is certainly from Julian's pen; vii 592 is unattributed in the Palatine MS., a fact which Ca. omit to mention. (It is absent from the Planudean MS.) The state of affairs in P is no accident, vii 591, though eulogising the dead man and alluding openly to the casting of his corpse into the sea, is moderate in tone, and would have caused no more offence to Justinian than Procopius's published account of the affair.


2017 ◽  
Vol 45 (2) ◽  
pp. 293-320
Author(s):  
Natalie Prizel

This essay tells a story of endurance: the endurance of a person and the endurance of an object in an archive, both of which have survived despite their apparent fungibility and ephemerality. It focuses on a Jamaican veteran of the navy and merchant marine – one Edward Albert – who lost his legs while at sea and therefore took to working at various intervals as a crossing sweeper, beggar, shop-owner, and author in London and Glasgow. Albert should have been lost. His shipmates burnt his legs to the point of bursting, and his doctors presumed him to be dead following their amputation. I located Edward Albert initially in the pages of Henry Mayhew's massive, unwieldy, almost unnavigable archive, the four volumes of London Labour and the London Poor. Mayhew interviews Albert in his home and then refers to a small chapbook Albert sells to accompany his begging. A simple WorldCat search led me to a copy of the book, housed at the University of Washington in Seattle. It had endured.


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