The studies of Korean Literature in Classical Chinese and the Cultural power in 20th Century

2018 ◽  
Vol 51 (null) ◽  
pp. 35-58
Author(s):  
Jin-kyun Kim
2020 ◽  
pp. 1-27
Author(s):  
Yan Wang

Abstract Based on the systemic functional framework, this paper attempts to compare verbal projection in two comparable translated texts of a detective story entitled A Scandal in Bohemia, one from the early 20th century (henceforth TT1) and the other from the early 21st century (henceforth TT2). Approximately one hundred years apart, these two translations are strikingly different in their language use, with classical Chinese being used in TT1 and plain (colloquial) Chinese being used in TT2. By analysing and comparing the lexicogrammatical features of the verbal clauses in the two translated texts, this paper summarises the choices made by the translators in these two different historical moments: when translating the source text, TT1 translators show more flexibility by incorporating more addition and omission into their translation than TT2 translators.


2016 ◽  
Vol 20 (1) ◽  
pp. 21-54 ◽  
Author(s):  
Nikolai Rudenko

The article is devoted to the problem of authorship of Evaluating the Four Books (Sishu ping 四書評), presenting a review of academic discussion that took place in Chinese historiography in 20th century and providing some new ideas as the continuation of this discussion in order to solve the problem. Evaluating the Four Books is often considered to be the work of Li Zhi (李贄, 1527–1602), who is famous for his original ideas and critical attitude toward neo-confucianism in the interpretation of Zhu Xi and the Cheng brothers. Li Zhi died in jail, where he was put in accordance to the order of emperor Shenzong (Era name Wanli 1572–1620), and his death attracted a lot of attention by late Ming educated people. Against the background of Li Zhi’s increased popularity, a lot of book sellers signed books with his name for commercial purposes, while in fact these books were not written by Li Zhi. We suppose that Evaluating the Four Books belongs to such type of works and give some argument for the point that it is a fabrication made by Ye Zhou (葉晝, ?–1625), a late Ming scholar who is also generally considered to be the true author of commentaries to classical Chinese novels e.g. “Water Margin”, “Romance of Three Kingdoms” and “Journey to the West”, also signed with the name of Li Zhi.


Sign in / Sign up

Export Citation Format

Share Document