scholarly journals TRIANGLING BELLOW’S SEIZE THE DAY

2015 ◽  
Vol 15 (2) ◽  
pp. 228
Author(s):  
Nita Novianti

AbstractOver the years, new theories of literary criticism have invariably emerged as a response, critique to, and development of the earlier criticisms. This paper introduces a relatively new literary theory that can enrich the repertoire of literary criticism in Indonesian context, namely family systems therapy or FST, through a critical analysis of Seize the Day by Saul Bellow, an American author whose works mainly deal with the theme of family and the issues revolving it. Partly a critique to Freud’s psychoanalysis and its variants, family systems therapy holds that one’s identity is a part of a matrix of identity, thereby requiring the analysis of one’s interrelatedness with the others involved in the matrix in order to understand one’s self. The analysis shows that the protagonist of the novel, Wilhelm, is involved in a triangle in his effort to cope with his anxiety. Triangling is also found to be merely one of the many outlets for the protagonist’s anxiety. The paper concludes that family systems theory is appropriate to critically analyze literary works dealing with family matters, such as Seize the Day. This theory offers new insights not only into the practice of literary criticism but also into seeing problems in life. Keywords: Family systems therapy, triangle, anxiety  AbstrakTeori-teori kritik sastra terus bermunculan, baik sebagai tanggapan, kritik, atau perkembangan dari teori-teori sebelumnya. Makalah ini memperkenalkan sebuah teori yang cukup baru yang bisa memperkaya khasanah kritik sastra di Indonesia, yaitu terapi sistem keluarga, melalui sebuah analisis terhadap novel berjudul Seize the Day karangan Saul Bellow, seorang penulis Amerika yang karya-karyanya terutama mengangkat tema keluarga dan permasalahan yang melingkupinya. Sebagai kritik terhadap teori Psikoanalisis oleh Freud dan variasi-variasinya, terapi sistem keluarga percaya bahwa identitas seseorang adalah bagian dari matriks identitas, sehingga analisis terhadap keterhubungan seseorang dengan orang lain yang terlibat dalam matriks tersebut diperlukan jika ingin memahami diri seseorang. Analisis menunjukkan bahwa protagonis novel tersebut, Wilhelm, terlibat dalam sebuah hubungan segitiga atau triangling dalam usahanya untuk menghadapi kegelisahan hidupnya; selain itu, hubungan segitiga hanyalah satu dari sekian jalan keluar untuk kegelisahan yang dihadapi protagonis. Makalah ini menyimpulkan bahwa teori psikoterapi keluarga cocok untuk menganalisis secara kritis karya-karya sastra yang berkenaan dengan masalah keluarga, seperti Seize the Day. Teori ini menawarkan sudut pandang baru, tidak hanya terhadap praktik dalam kritik sastra, tapi juga terhadap cara melihat permasalahan dalam hidup. Kata kunci: Terapi sistem keluarga, segitiga, kegelisahan.

SAGE Open ◽  
2021 ◽  
Vol 11 (2) ◽  
pp. 215824402110061
Author(s):  
Friday Romanus Okpo

The identification of archetypes in literary texts follows the path of deep structural analysis, as surface reading will dwell ordinarily at the level of incidents. This research is driven by the configuration of the myth of Sisyphus in Richard Wright’s Native Son. Our claim is that the myth figures in the text as a shade of the crime and punishment sequence, with an absurdist twist. This claim is substantiated following the archetypal literary theory, which employs to a great extent the methods of discourse analysis. The novel has often been read along the ideological questions that racism raises and attempts to answer. This essay marks a deviation from that seemingly jaundiced view of literature. What this essay foregrounds is the eternal regeneration of narratives, an eternalness that bears the nature of the archetype in its repetitiveness. This necessitates the choice of archetypal literary criticism as the theory for this research. To reach its conclusions, this article adopts a qualitative approach, taking its data from the events in the novel, and investigating the mythic orientations at work in the novel, with the view that at the forefront of this is the myth of Sisyphus, a shade of the myth of crime and punishment. This article does not account for the sociocultural frame of racism as a material but understands it in the wider conception of myth, as a figuration of the Sisyphean myth which shares with the racism in the text the quality of perpetuity or seeming endlessness. We show that racism is in this akin to the sufferings and struggles of Sisyphus, that it is Sisyphean.


PsycCRITIQUES ◽  
2007 ◽  
Vol 52 (50) ◽  
Author(s):  
A. Rodney Nurse ◽  
Peggy Thompson

Paragraph ◽  
2006 ◽  
Vol 29 (3) ◽  
pp. 77-94 ◽  
Author(s):  
Adam Trexler

While literary criticism is often seen as an unself-reflective forerunner to literary theory, this article argues that T.S. Eliot's theory of critical practice was a philosophically informed methodology of reading designed to create a disciplinary and institutional framework. To reconstruct this theory, it enriches theoretical methodology with intellectual and institutional history. Specifically, the article argues that Eliot's early critical theory depended on the paradigms of anthropology and occultism, developed during his philosophical investigation of anthropology and Leibniz. From this investigation, Eliot created an occult project that used spiritual monads as facts to progress toward the Absolute. The article goes on to argue that Eliot's methodology of reading was shaped by anthropology's and occultism's paradigms of non-academic, non-specialist reading societies that sought a super-historic position in human history through individual progress. The reconstruction of Eliot's intellectual and institutional framework for reading reveals a historical moment with sharp differences and surprising similarities to the present.


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