scholarly journals Kim Dal Jin's Modern Poetry and Chinese Poetry in Kumkangjeo

2008 ◽  
Vol null (29) ◽  
pp. 9-29
Author(s):  
Choi Dong-Ho
Keyword(s):  
Chinese Poetry ◽  
Modern Poetry

scholarly journals Transformational peculiarities within Chinese lyrical genres

2020 ◽  
Vol 48 (3) ◽  
pp. 283-297
Author(s):  
Ołeksandra Hul
Keyword(s):  
Archaic Period ◽  
Chinese Poetry ◽  
Modern Poetry ◽  
Great Contribution ◽  
Western Tradition ◽  
Authentic Texts ◽  
Founding Fathers ◽  
Grass Roots ◽  
Archaic Chinese

The article reveals the historical transformations of Chinese poetry, namely the changes in lyrical genres from the Archaic period of “Fu” (“赋”) invariants and early authors’ poetry to the genre varieties of contemporary (modern) poetry “新诗” of the 20th–21st centuries. In the review we briefly name the key oriental researchers who made a great contribution to the studies of oriental literature based on authentic texts. The article tells how the key archaic genres, such as “Fu” (“赋”), “Shi” (“诗”), “Qi” (“词”) and “Qu” (“曲”) were the grass roots of the differentiation of lyrical genres. In this context we name the pristine origins of the early lyrical genres, returning the reader back to 《诗经》. We give the names of the founding fathers and representatives of each genre, providing examples of the most brilliant poetry, written within the early and classical literary periods. In the article we try to systematize the knowledge available on the topic, comparing the Eastern and the Western tradition of lyrical writing. We aim to show how archaic Chinese poetry came out of prose, transformed in time over more than 2000 years, and lost its primeval classical and traditional Chinese style, but preserved the unique code of the nation and almost returned to prose in the 20th–21st centuries. 

The Problem of Consciousness in Modern Poetry

1992 ◽  
Author(s):  
Hugh Underhill
Keyword(s):  
Modern Poetry

The Placeness of ‘Songok(蓀谷)’ and the Chinese poetry by Songok(蓀谷) Lee Dal(李達)

2019 ◽  
Vol 28 ◽  
pp. 59-88
Author(s):  
Gum-suk Kim ◽  
Keyword(s):  
Chinese Poetry

The Fusion of Upper-level Literature and Lower-level Literature of Hong yang-ho’ Chinese Poetry

2017 ◽  
Vol 39 (5) ◽  
pp. 735-766
Author(s):  
Jung-won Kwon
Keyword(s):  
Chinese Poetry ◽  
Upper Level

Modernism, Empiricism, and Rationalism

2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Modern Poetry ◽  
Philosophical Perspective ◽  
Irish Poetry ◽  
Dimensional Spectrum ◽  
Culture History ◽  
The World ◽  
The Impact ◽  
Rule Out

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.

Sign in / Sign up

Export Citation Format

Share Document