“Jugamos a la guerra”: Boys, Toys, and Military Masculinity in Galdós’s La desheredada

2021 ◽  
Vol 44 (2) ◽  
pp. 415-436
Author(s):  
Collin McKinney

In the sixth chapter of Benito Pérez Galdós’s La desheredada, we find children at play in an impoverished neighborhood of Madrid. But what at first glance appears to be a simple representation of boys playing war is, upon closer inspection, a problematization of Spanish masculinity. This article suggests that the concepts of militarism and masculinity were synonymous throughout the second half of the nineteenth century. Galdós, however, critiques this conflation by converting the children’s game into a tragedy.

2013 ◽  
Vol 56 (3) ◽  
pp. 657-679 ◽  
Author(s):  
PATRICK J. DOYLE

ABSTRACTAlthough the American Civil War is perhaps the most written about event in American history, the issue of desertion has often retained a neglected position in the conflict's dense historiography. Those historians who have studied military absenteeism during the war have tended to emphasize socio-economic factors as motivating men to leave the army and return home. The Register of Confederate Deserters, a list of southern soldiers who crossed into Union lines and took an oath of loyalty in order to try and return home, can provide a different look at these men. By studying the South Carolinian men on the Register, as a case-study, we can see that ideological, as well as socio-economic, motivations occupied the thought process of Civil War deserters. Moreover, the act of desertion was rarely a simple representation of the thoughts of the individual but of the opinions and feelings of his family and community as well. As such, studying Confederate desertion not only helps us understand the issues of loyalty and nationalism during the Civil War, but also the way in which nineteenth-century southerners conceptualized the world around them.


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