scholarly journals University Industry Partnerships For Abet Ec 2000 Preparation: A Case Study

2020 ◽  
Author(s):  
Isadore Davis ◽  
Gregory Lush ◽  
Connie Della-Piana ◽  
Andrew Swift
Author(s):  
Lynne Siemens ◽  
The INKE Research Group

University-industry partnerships are common in the Sciences, but less so in the Humanities. As a result, there is little understanding of how they work in the Humanities. Using the Implementing New Knowledge Environments: Networked Open Social Scholarship (INKE:NOSS) initiative as a case study, this paper contributes to this discussion by examining the nature of the university-industry partnership with libraries and academic-adjacent organizations, and associated benefits, challenges, measures of success, and outcomes. Interviews were conducted with the collaboration’s industry partners. After several years of collaboration on the development of a grant application, industry partners have found the experience of working with academics to be a positive one overall. Industry partners are contributing primarily in-kind resources in the form of staff time, travel to meetings, and reading and commenting on documents. They have also been able to realize benefits while negotiating the challenges. Using qualitative standards, measures of success and desired outcomes are being articulated. This work developing the partnership should stand the larger INKE:NOSS team in good stead if they are successful with securing grant funding.


2019 ◽  
Author(s):  
Lynne Siemens

University–industry partnerships are rare on the humanities side of campus in contrast to the sciences. As a result, little is known about these partnerships, which tend to be with libraries and other not-for-profit organizations. Using the Implementing New Knowledge Environments: Network Open Social Scholarship (INKE:NOSS) as a case study, this research examines a humanities-based university–industry partnership from the academics’ perspective. It explores the nature of the collaboration, associated benefits and challenges, and measures of success and desired outcomes. Overall, building upon several years of working with the partners, the interviewed researchers found that the benefits of collaborating outweighed the challenges. The benefits included the potential to move research towards production-orientated results. Among the many challenges, there was some hesitation about the ability to achieve publications and presentations needed for tenure and promotion. The academics contributed students, and in-kind and cash resources from their own research funds and those of the university to the partnership. At this point, the measures of success and desirable outcomes have not been quantified and instead focus on policy intervention and movement towards open social scholarship. These understandings about the nature of such a university–industry collaboration should provide a good foundation if partnership is funded.


2015 ◽  
Vol 68 (7) ◽  
pp. 1407-1413 ◽  
Author(s):  
Jasmina Berbegal-Mirabent ◽  
José Luís Sánchez García ◽  
D. Enrique Ribeiro-Soriano

2022 ◽  
Vol 176 ◽  
pp. 121438
Author(s):  
Arman Y. Aksoy ◽  
Davide Pulizzotto ◽  
Catherine Beaudry

2021 ◽  
Vol 5 (2) ◽  
Author(s):  
Stuart Gray ◽  
Chris Bevan ◽  
Kirsten Cater ◽  
Jo Gildersleve ◽  
Caroline Garland ◽  
...  

Collaborations between human–computer interaction (HCI) researchers and arts practitioners frequently centre on the development of creative content using novel – often emergent – technologies. Concurrently, many of the techniques that HCI researchers use in evaluative participant-based research have their roots in the arts – such as sketching, writing, artefact prototyping and role play. In this reflective paper, we describe a recent collaboration between a group of HCI researchers and dramatists from the immersive theatre organization Kilter, who worked together to design a series of audience-based interventions to explore the ethics of virtual reality (VR) technology. Through a process of knowledge exchange, the collaboration provided the researchers with new techniques to explore, ideate and communicate their work, and provided the dramatists with a solid academic grounding in order to produce an accurate yet provocative piece of theatrically based design fiction. We describe the formation of this partnership between academia and creative industry, document our journey together, and share the lasting impact it has had upon both parties.


2020 ◽  
Author(s):  
Tim Dallas ◽  
Tanja Karp ◽  
Brian Nutter ◽  
Yu-Chun Lie ◽  
Richard Gale ◽  
...  

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