scholarly journals Palamas and Florensky: The Metaphysics of the Heart in Patristic and Russian Philosophical Tradition

2013 ◽  
Vol 3 ◽  
pp. 69-82
Author(s):  
Justyna Kroczak

Тhis paper focuses on the philosophical issue known as the metaphysics of the heart within Orthodox Christianity – both Russian and Byzantie versions. Russian religious thought is based on patristic tradition. Influences and connections can be seen in Florensky’s philosophy of All-Unity. This Russian philosopher was highly inspired by Gregory Palamas, fourteenth-century Eastern Church. These two Orthodox thinkers, mainly their metaphysics of heart are objects of interests.

Author(s):  
Ruth Coates

Chapter 2 sets out the history of the reception of deification in Russia in the long nineteenth century, drawing attention to the breadth and diversity of the theme’s manifestation, and pointing to the connections with inter-revolutionary religious thought. It examines how deification is understood variously in the spheres of monasticism, Orthodox institutions of higher education, and political culture. It identifies the novelist Fedor Dostoevsky and the philosopher Vladimir Soloviev as the most influential elite cultural expressions of the idea of deification, and the primary conduits through which Western European philosophical expressions of deification reach early twentieth-century Russian religious thought. Inspired by the anthropotheism of Feuerbach, and Stirner’s response to this, Dostoevsky brings to the fore the problem of illegitimate self-apotheosis, whilst Soloviev, in his philosophy of divine humanity, bequeaths deification to his successors both as this is understood by the church and in its iteration in German metaphysical idealism.


2009 ◽  
Vol 2 (2) ◽  
pp. 77-98 ◽  
Author(s):  
Sarah Henshall ◽  
Jon Sadler ◽  
David Hannah ◽  
Adam Bates Crone

Author(s):  
Ruth Coates

Deification in Russian Religious Thought is a study of the reception of the Eastern Christian (Orthodox) doctrine of deification by Russian religious thinkers of the immediate pre-revolutionary period. Deification is the metaphor that the Greek patristic tradition came to privilege in its articulation of the Christian concept of salvation: to be saved is to be deified, that is, to share in the divine attribute of immortality. The central thesis of this book is that between the revolutions of 1905 and 1917 Russian religious thinkers turned to deification in their search for a response to the imminent destruction of the Russian autocracy (and the social and religious order that supported it), that was commensurate with its perceived apocalyptic significance. Contextual chapters set out the parameters of the Greek patristic understanding of deification and the reception of the idea in nineteenth-century Russian religious culture, literature, and thought. Then, four major works by prominent thinkers of the Russian Religious Renaissance are analysed, demonstrating the salience of the deification theme and exploring the variety of forms of its expression. In these works by Merezhkovsky, Berdiaev, Bulgakov, and Florensky, deification is taken out of its original theological context and applied respectively to politics, creativity, economics, and asceticism: this is presented as a modernist endeavour. Nevertheless their common emphasis on deification as a project, a practice that should deliver the ontological transformation and immortalization of human beings, society, culture, and the material universe, whilst likewise modernist, is also what connects them to deification’s theological source.


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